This special issue of South Atlantic Quarterly focuses on music―be it a film score, incidental music for a play, or music for pantomime or dance―as a nonautonomous phenomenon. The result is a broad-based discussion where the cultural, the social, and the political are not considered peripheral contexts that shape music but rather are framed as integral components of the works at hand.
Contributors. Annegret Fauser, Bryan Gilliam, Linda Hutcheon, Michael Hutcheon, Kim H. Kowalke, Neil Lerner, Tamara Levitz, Elizabeth Paley
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Cat's Cradle Books, Archdale, NC, Etats-Unis
Softcover. Etat : Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Kowalke, Seven degrees of separation: music, text, image, and gesture in The Seven Deadly Sins. Hutcheon, The "phenomenal image" in opera. Paley, Zwischenreden für Zwischenakte: Egmont and the melodramatic supplement. Fauser, Visual pleasures - musical signs: dance at the Paris Opera. Levitz, Syvilla Fort's Africanist modernism and John Cage's gestic music: The story of Bacchanale. Lerner, "Look at that big hand move along": clocks, containment, and music in High Noon. 9.0" tall; 176 pages. N° de réf. du vendeur 4130080
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