Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.
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Lynne Conner is associate professor of theater arts at the University of Pittsburgh. She is the author of Spreading the Gospel of Modern Dance: Newspaper Dance Criticism in the United States, 1850-1935 and coauthor of In the Garden of Live Flowers. Her arts commentary and performance reviews have appeared in a wide variety of journals, newspapers, documentaries, and radio broadcasts.
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Hardcover. Etat : Good. 1st Edition. Packed in a RIGID mailer. Pages: inscription written on intro page, otherwise, not written on, clean, bright, fine edges, odor free. Dust Jacket: clean, bright, bumping to edges, rubbing to corner tip, small bumping at back top left near spine. See Photos. Ships from California. Ships same or next day! ABOUT: Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts. N° de réf. du vendeur ABE-1784955082375
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. PUBLISHER: University of Pittsburgh Press DATE/EDITION: 2007, first edition 1-10 BINDING: Hardbound in red cloth with gold lettering on the spine, 278 pages. DUST JACKET: The front center of the jacket has a small bump and a tiny burn mark and would otherwise be fine, very clean and no rips or chips. In a protective cover neither flaw would be very noticeable. BOOK CONDITION: A tiny spot on the front cover otherwise the book would also be fine, very clean, tight binding, sharp corners, bright lettering. DESCRIPTION: Photo illustrated history of theater in Pittsburgh. N° de réf. du vendeur 010239
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Hardcover. Etat : new. Hardcover. Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780822943303
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Etat : New. Pittsburgh has a rich theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. This work offers a comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally. Num Pages: 320 pages, 51 illustrations. BIC Classification: 1KBBEP; 3JH; 3JJ; AN. Category: (UF) Further/Higher Education. Dimension: 229 x 152 x 29. Weight in Grams: 635. . 2007. 1st Edition. Hardcover. . . . . N° de réf. du vendeur V9780822943303
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