People chat about music every day, but they also treat it as a limit, as the boundary of what is sayable. By addressing different perspectives and traditions that form and inform the speaking of music in Western culture--musical, literary, philosophical, semiotic, political--this volume offers a unique snapshot of today's scholarship on speech about music. The range of considerations and material is wide. Among others, they include the words used to interpret musical works (such as those of Beethoven), the words used to channel musical practices (whether Bach's, Rousseau's, or Hispanic political protesters'), and the words used to represent music (whether in a dialogue by Plato, in a story by Balzac, or in an Italian popular song). The contributors consider the ways that music may slide by words, as in the performance of an Akpafu dirge or in Messiaen, and the ways that music may serve as an embodied figure, as in the writings of Diderot or in the sound and body art of Henri Chopin. The book concludes with an essay by Jean-Luc Nancy.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Keith Chapin is Lecturer in Music at Cardiff University. He has taught at Fordham University (New York) and at the New Zealand School of Music (Wellington). He specializes in issues of critical theory, music aesthetics, and music theory in the seventeenth through twentieth centuries and in particular on issues of counterpoint. He has been Coeditor of Eighteenth- Century Music and Associate Editor of 19th-Century Music and sits on the editorial boards of these journals. He was coeditor (with Lawrence Kramer) of Musical Meaning and Human Values (2009). Recent articles have appeared in Music & Letters, 19th-Century Music, and the International Review of the Aesthetics and Sociology of Music.
Andrew H. Clark is Associate Professor of French and Comparative Literature at Fordham University. He is the author of Diderot's Part (2008). He works and writes on literature, aesthetics, and science in the early modern period.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Basi6 International, Irving, TX, Etats-Unis
Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. N° de réf. du vendeur ABEOCT25-123294
Quantité disponible : 1 disponible(s)
Vendeur : Books Puddle, New York, NY, Etats-Unis
Etat : New. pp. 336. N° de réf. du vendeur 2650419775
Quantité disponible : 1 disponible(s)
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 336 11 Illus. N° de réf. du vendeur 58124256
Quantité disponible : 1 disponible(s)
Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 336. N° de réf. du vendeur 1850419765
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 19148089-n
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. People chat about music every day, but they also treat it as a limit, as the boundary of what is sayable. By addressing different perspectives and traditions that form and inform the speaking of music in Western culture-musical, literary, philosophical, semiotic, political-this volume offers a unique snapshot of today's scholarship on speech about music. The range of considerations and material is wide. Among others, they include the words used to interpret musical works (such as those of Beethoven), the words used to channel musical practices (whether Bach's, Rousseau's, or Hispanic political protesters'), and the words used to represent music (whether in a dialogue by Plato, in a story by Balzac, or in an Italian popular song). The contributors consider the ways that music may slide by words, as in the performance of an Akpafu dirge or in Messiaen, and the ways that music may serve as an embodied figure, as in the writings of Diderot or in the sound and body art of Henri Chopin. The book concludes with an essay by Jean-Luc Nancy. N° de réf. du vendeur LU-9780823251384
Quantité disponible : Plus de 20 disponibles
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780823251384
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A collection of essays that address the ways that writers, musicians, philosophers, politicians, critics, and scholars speak of music from varying standpoints and in varying ways. An introduction to the volume identifies common themes and issues. Editor(s): Chapin, Keith. Num Pages: 344 pages, 11 b/w illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 3895 x 5830 x 25. Weight in Grams: 522. . 2013. Illustrated. hardcover. . . . . N° de réf. du vendeur V9780823251384
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 19148089-n
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780823251384
Quantité disponible : 1 disponible(s)