To appreciate the life of the Italian immigrant enclave from the great heart of the Italian migration to its settlement in America requires that one come to know how these immigrants saw their communities as colonies of the mother country. Edited with extraordinary skill, Italoamericana: The Literature of the Great Migration, 1880-1943 brings to an English-speaking audience a definitive collection of classic writings on, about, and from the formative years of the Italian-American experience.
Originally published in Italian, this landmark collection of translated writings establishes a rich, diverse, and mature sense of Italian-American life by allowing readers to see American society through the eyes of Italian-speaking immigrants. Filled with the voices from the first generation of Italian-American life, the book presents a unique treasury of long-inaccessible writing that embodies a literary canon for Italian-American culture--poetry, drama, journalism, political advocacy, history, memoir, biography, and story--the greater part of which has never before been translated. Italoamericana introduces a new generation of readers to the "Black Hand" and the organized crime of the 1920s, the incredible "pulp" novels by Bernardino Ciambelli, Paolo Pallavicini, Italo Stanco, Corrado Altavilla, the exhilarating "macchiette" by Eduardo Migliaccio (Farfariello) and Tony Ferrazzano, the comedies by Giovanni De Rosalia, Riccardo Cordiferro's dramas and poems, the poetry of Fanny Vanzi-Mussini and Eduardo Migliaccio. Edited by a leading journalist and scholar, Italoamericana introduces an important but little-known, largely inaccessible Italian-language literary heritage that defined the Italian-American experience. Organized into five sections--"Annals of the Great Exodus," "Colonial Chronicles," "On Stage (and Off-Stage)," "Anarchists, Socialist, Fascists, Anti-Fascists," and "Apocalyptic Integrated / Integrated Apocalyptic Intellectuals"--the volume distinguishes a literary, cultural, and intellectual history that engages the reader in all sorts of archaeological and genealogical work. The original volume in Italian: Italoamericana Vol II: Storia e Letteratura degli Italiani negli Stati Uniti 1880-1943Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Francesco Durante born in Anacapri, teaches the Culture and Literature of Italian Americans at the Università Suor Orsola Benincasa in Naples. As one of Italy's foremost journalists and literary critics, he has written for various Italian newspapers and journals. He is the author and editor of numerous books, including the groundbreaking Italoamericana. Storia e letteratura degli italiani negli Stati Uniti, 1776-1943, in two volumes (the second was published with the same title by Fordham University Press in 2014); Figli di due mondi. Fante, DiDonato & C: narratori italoamericani degli anni Trenta e Quaranta; Scuorno (vergogna); I napoletani; and, together with the late Rudolph J. Vecoli, Oh Capitano! La vita favolosa di Celso Cesare Moreno in quattro continenti. He has edited two volumes of Mondadori's prestigious Meridiani series on John Fante and Domenico Rea. In addition to various editions of mannerist and baroque poets and American writers, he has translated seven volumes of John Fante, two by Bret Easton Ellis, and other writers such as William Somerset Maugham, George Arnold, and William Dean Howells. Durante is the artistic director of the annual Salerno Literary Festival. His latest book is La letteratura italoamericana (2017).
Robert Viscusi, Ph.D., is Professor of English and executive officer of the Wolfe Institute for the Humanities at Brooklyn College, president of the Italian American Writers Association, novelist, critic, scholar of Italian-American literature and culture, and author of the epic poem "Ellis Island."
Anthony Julian Tamburri is Dean of the John D. Calandra Italian American Institute at Queens College, CUNY. He holds a PhD from the University of California, Berkeley. He is codirector of Bordighera Press and past president of the American Italian Historical Association and of the American Association of Teachers of Italian. His books include Narrare altrove: diverse segnalature letterarie (2007); Una semiotica dell'etnicità nuove segnalature per la letteratura italiano / americana (2010); Re- viewing Italian Americana: Generalities and Specificities on Cinema (2011); and Re- reading Italian Americana: Specificities and Generalities on Literature and Criticism (2014). He is a cofounder of the Italian American Digital Project. Since 2007, he has been the executive producer of the TV program Italics.
James J. Periconi, a Manhattan attorney, exhibited his collection of more than one hundred Italian-language American imprints of authors whose works are excerpted in Italoamericana at New York's Grolier Club in 2012 and extensively catalogued these works in Strangers in a Strange Land.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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