This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it's often assimilated--scansion, prosody, meter--rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory.
Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm's genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks' isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other--two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun SaussyLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Ben Glaser is Assistant Professor of English at Yale University.
Jonathan Culler is Class of 1916 Professor of English and Comparative Literature at Cornell University and the author of numerous books on literary theory, including Structuralist Poetics, On Deconstruction, and Literary Theory: A Very Short Introduction. His most recent book is Theory of the Lyric (Harvard, 2015).
Derek Attridge is the author or editor of twenty-six books on literary theory, poetic form, South African literature, and the writings of James Joyce. His work on poetic form includes The Experience of Poetry: From Homer's Listeners to Shakespeare's Readers (2019), Moving Words: Forms of English Poetry (2013), "Rhythm" in the new edition of the Princeton Encyclopedia of Poetry and Poetics (2012), Meter and Meaning (with Thomas Carper, 2003), Poetic Rhythm: An Introduction (1996), and The Rhythms of English Poetry (1982).
Simon Jarvis is an independent writer and critic. He is the author of Wordsworth's Philosophic Song, Adorno: a Critical Introduction (1998; reprinted, 2003), Scholars and Gentlemen: Shakespearean Textual Criticism and Representations of Scholarly Labour, 1725-1765 (1995) and the editor of Theodor W. Adorno: Critical Evaluations in Cultural Theory (2006), Rethinking Beauty, and a special issue of Diacritics (Spring 2002).
David Nowell Smith is Senior Lecturer in the School of Literature, Creative Writing, and Drama at the University of East Anglia, and editor of the journal Thinking Verse. His books include Sounding/Silence: Martin Heidegger at the Limits of Poetics (2013) and On Voice in Poetry: The Work of Animation (2015).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 33184613-n
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it's often assimilated-scansion, prosody, meter-rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm's genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks' isolated descriptions of technique or inductive declarations of what rhythm "is," the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other-two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy. N° de réf. du vendeur LU-9780823282043
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2019. 1st Edition. Hardcover. . . . . . N° de réf. du vendeur V9780823282043
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 33184613
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780823282043
Quantité disponible : 1 disponible(s)
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Explores both the theory and practice of rhythm in literature with a focus on nineteenth and twentieth-century poetry. Emphasis on rhythm s role in contemporary literary criticism, including debates about poetic form and genre.Über den Autor. N° de réf. du vendeur 257103846
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 33184613-n
Quantité disponible : 1 disponible(s)
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In English. N° de réf. du vendeur ria9780823282043_new
Quantité disponible : 1 disponible(s)
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. New copy - Usually dispatched within 4 working days. N° de réf. du vendeur B9780823282043
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 33184613
Quantité disponible : 1 disponible(s)