Synopsis
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.
Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l?auteur
Yuko Kikuchi is senior research fellow at TrAIN (Research Centre for Transnational Art, Identity and Nation), University of the Arts, London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Refracted Modernity : Visual Culture and Identity in Colonial Taiwan
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University of Hawaii Press, 2007
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ISBN 13 : 9780824830502
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Refracted Modernity: Visual Culture and Identity in Colonial Taiwan
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University of Hawaii Press, 2007
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ISBN 13 : 9780824830502
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Refracted Modernity: Visual Culture and Identity in Colonial Taiwan.
Edité par
University of Hawaii Press, 2007
ISBN 10 : 0824830504
ISBN 13 : 9780824830502
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Etat : as new. Honolulu, Hawaii : University of Hawai'i Press, 2007. Hardcover. Dustjacket. 298 pp. English text. Condition : as new. - Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Condition : as new copy. ISBN 9780824830502. Keywords : ART, Taiwan Chinese art. N° de réf. du vendeur 272542
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Refracted modernity : visual culture and identity in colonial Taiwan.
Edité par
University of Hawaii Press, 2007
ISBN 10 : 0824830504
ISBN 13 : 9780824830502
Ancien ou d'occasion
Couverture rigide
Vendeur : Kloof Booksellers & Scientia Verlag, Amsterdam, Pays-Bas
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Etat : as new. Honolulu : University of Hawai'i Press,2007.Hardcover. Dustjacket.viii, 285 p., [24] p. of plates. 27 cm.Includes bibliographical references (p. [249]-272) and index. - Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the discovery of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of local color, which was imposed by Japanese, and its relation to the nativism that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Condition : as new copy. ISBN 9780824830502. Keywords : ASIA, N° de réf. du vendeur 221702
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Refracted Modernity: Visual Culture and Identity in Colonial Taiwan
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University of Hawaii Press, 2007
ISBN 10 : 0824830504
ISBN 13 : 9780824830502
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