"I argue for a history of Native American art that is politically informed," Margaret Dubin writes, "and for a criticism of contemporary Native American fine arts that is historically founded." Integrating ethnography, discourse analysis, and social theory in a careful mapping of the Native American art world, this insightful new study explores the landscape of 'intercultural spaces' -- the physical and philosophical arenas in which art collectors, anthropologists, artists, historians, curators, and critics struggle to control the movement and meaning of art objects created by Native Americans. Dubin examines the ideas and interactions involved in contemporary collecting, in particular, to understand how marketplace demands have homogenised Western perceptions of 'authentic' Native American art. In doing so, she reveals the power relations of an art world in which Native American artists work within and against a larger system that seeks to control people by manipulating objects.
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Margaret Dubin
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
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Vendeur : Better World Books: West, Reno, NV, Etats-Unis
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Vendeur : N. Fagin Books, Chicago, IL, Etats-Unis
2001. North America, Native American, Art, University of New Mexico Press, 184 p., very good cloth and dust jacket. N° de réf. du vendeur 928681139
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
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Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_439822491
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0826321747I2N00
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket; 184 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur NaDuUn7
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Vendeur : Chaparral Books, Portland, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. The binding is tight, corners sharp. Text and images unmarked. Small dent on the bottom edge of the text block. The dust jacket shows some very light handling, in a mylar cover. N° de réf. du vendeur PATINdubNA
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Vendeur : Chequamegon Books, Washburn, WI, Etats-Unis
Hardcover. Etat : Near Fine. 2nd Printing. Goes to the heart of current controversies over authority and "otherness," "tourist art" and the "new museology," and modernist versus neocolonial considerations of the nature and uses of art itself.; 8 1/4 x 8 1/4 " Near Fine in Near Fine dust jacket. N° de réf. du vendeur 25249
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Cloth, viii, 184 pages, illustrations (some colour); 21 cm. Firm binding, clean inside copy. Fine DJ. *** "Integrating ethnography, discourse analysis, and social theory in a careful mapping of the Native American art world, this study explores the landscape of 'intercultural spaces'--The physical and philosophical arenas in which art collectors, anthropologists, artists, historians, curators, and critics struggle to control the movement and meaning of art objects created by Native Americans." - Publisher. *** CONTENTS: 1. Objects Desired: A History of Collecting; 2. Commodities Controlled: Legislating the Trade of Native American Art; 3. Collectors: Charity, Empathy, Matching the Sofa; 4. Artists: Selling Paintings, Dispelling Stereotypes; 5. Museums and the Politics of Cultural Authority; 6. Sanctioned Scribes: How Critics, Curators, and Scholars Write the Native American Art World; 7. Collecting/Being Collected: The Language of Cultural Difference; Epilogue: Reflections on Fieldwork. Size: 8vo. N° de réf. du vendeur 007611
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