The University of New Mexico's Tamarind Institute is a world-renowned center for fine art lithography dedicated to training master printers and providing a professional studio for artists. In Migrations, Tamarind director Marjorie Devon has compiled the work of six Native American artists, each of whom collaborated with professional printers at Tamarind and at Crow's Shadow Institute of the Arts in Pendleton, Oregon, to create prints. These artists were selected because they engage in contemporary art rather than what is traditionally considered "Native American art." Artists Steven Deo (Creek/Euchee), Tom Jones (Ho Chunk), Larry McNeil (Tlingit/Nisgaa), Ryan Lee Smith (Cherokee), Star Wallowing Bull (Chippewa/Arapaho), and Marie Watt (Seneca) represent a wide spectrum of Native American cultures and experiences.
In addition to the art, essays by Jo Ortel, Lucy Lippard, Kathleen Howe, and Gerald McMaster contribute expert analyses of Native American art. Ortel, an associate professor of art history at Beloit College, defines "Migrations" as it applies to this project. Lippard is an art critic and author whose essay discusses the cultural baggage forced upon the American Indian. As director of the Pomona College Museum of Art and professor of art history, Howe offers an overview of Tamarind Institute's projects with indigenous peoples. A Plains Cree artist, McMaster's essay details the history of Crow's Shadow Institute on Oregon's Umatilla Reservation. A traveling exhibition of the art contained here, also entitled "Migrations," will begin in 2007, venues to be announced.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marjorie Devon has been director of Tamarind Institute since 1985.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 15590910-75
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Vendeur : The Old Print Shop, Inc., New York, NY, Etats-Unis
Soft cover. Etat : New. Edited by Marjorie Devon, essays by Jo Ortel, Lucy Lippard, Kathleen Howe and Gerald McMaster, artists - Steven Doe, Tom Jones, Larry McNeil, Ryan Lee Smith, Star Wallowing Bull, and Marie Watt. xvi, 127 pages, 60 illustrations ( 49 color), quarto (4to), soft cover. Condition - New, unsold inventory of an old bookstore. Inventory #42760-1. N° de réf. du vendeur 000399
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 128 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur MiDeUn20
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The University of New Mexico's Tamarind Institute is a world-renowned center for fine art lithography dedicated to training master printers and providing a professional studio for artists. In ""Migrations"", Tamarind director Marjorie Devon has compiled the work of six Native American artists, each of whom collaborated with professional printers at Tamarind and at Crow's Shadow Institute of the Arts in Pendleton, Oregon, to create prints. These artists were selected because they engage in contemporary art rather than what is traditionally considered 'Native American art'. Artists Steven Deo (Creek/Euchee), Tom Jones (Ho Chunk), Larry McNeil (Tlingit/Nisgaa), Ryan Lee Smith (Cherokee), Star Wallowing Bull (Chippewa/Arapaho), and Marie Watt (Seneca) represent a wide spectrum of Native American cultures and experiences. In addition to the art, essays by Jo Ortel, Lucy Lippard, Kathleen Howe, and Gerald McMaster contribute expert analyses of Native American art. Ortel, an associate professor of art history at Beloit College, defines 'Migrations' as it applies to this project. Lippard is an art critic and author whose essay discusses the cultural baggage forced upon the American Indian. As director of the Pomona College Museum of Art and professor of art history, Howe offers an overview of Tamarind Institute's projects with indigenous peoples. A Plains Cree artist, McMaster's essay details the history of Crow's Shadow Institute on Oregon's Umatilla Reservation. N° de réf. du vendeur LU-9780826337696
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. xvi + 127 Illus. N° de réf. du vendeur 7912913
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Compiles the work of six Native American artists, each of whom collaborated with professional printers at Tamarind and at Crow's Shadow Institute of the Arts in Pendleton, Oregon, to create prints. These artists were selected because they engage in contemporary art rather than what is traditionally considered 'Native American art'. Editor(s): Devon, Marjorie. Num Pages: 144 pages, 49 colour photos, 11 halftones. BIC Classification: 1KBB; ACBK; AFH; AGB. Category: (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 255 x 205 x 14. Weight in Grams: 635. . 2006. Paperback. . . . . N° de réf. du vendeur V9780826337696
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