The invention of cinema was ingenious, so much so that virtually no one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in this regard. The allure of opera to cinema early in the century held up through the silent era, into sound films, through the golden age of movies and into the most recent approaches to cinema. This book explores the numerous ways - some predictable, some unexpected, and some bizarre - that this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence - a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. A number of directors have intuited this possibility, including Griffith, DeMille, Eisenstein, Chaplin, Lang, Wells, Bunuel and Hitchcock. This book provides an account of the influence of one medium on another, arguing that opera can often be found lurking in the background of a wide range of films.
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David Schroeder holds a PhD from Cambridge University, and is Professor Emeritus at Dalhousie University, Canada. His books include Haydn and the Enlightenment (Oxford UP, 1990), Mozart in Revolt (Yale UP, 1999), Cinema's Illusions, Opera's Allure: The Operatic Impulse in Film (Continuum, 2002/Bloomsbury, 2016), and Our Schubert: His Enduring Legacy (Scarecrow, 2008).
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Continuum, 2002. Book has mild rubbing to covers, faint smudges to top and outer textblocks, light wear to edges and corners. otherwise in very good condition, strong binding, bright and unmarked pages; an overall sturdy copy with clean interiors. Dust jacket has mild rubbing to front/back, mild wear to top/bottom edges and corners, scuffs and smudges to spine. in very good condition, now in archival cover. N° de réf. du vendeur 1025690
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Encuadernación de tapa dura. Etat : Bien. 1? Edición. Continuum, USA, 2002. Texto en inglés. Cine. Películas. From Richard Wagner and George Lucas to Alfred Hitchcock and Maria Callas, Schroeder provides a fascinating account of the entire absorbing history of the interdependence of opera and film, demonstrating how opera can be found lurking in the background of a wide range of films. The allure of opera to cinema early in the century held up through the silent era, into sound films, through the golden age of movies, and into the most recent approaches to moviemaking. Cinema's Illusions, Opera's Allure explores the numerous ways - some predictable, some unexpected, and some bizarre - that this has happened. 372 pp. 24 x 17. Tapa dura con dorados en lomo y sobrecubierta de editorial ilustrada. Sin subrayados ni anotaciones. Buen estado de conservación. ISBN: 9780826413925. N° de réf. du vendeur 040787
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