Released in the U.S. in January 1968, The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire...the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, Sell Out; also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Dougan is assistant professor in the College of Mass Communication at Middle Tennessee State University, USA, and an adjunct assistant professor of Music History and Literature in the Blair School of Music at Vanderbilt University, USA. A former musician and still freelance critic, he has contributed to numerous publications including Rolling Stone, Spin, Option, CD Review, Rock and Roll Disc and Journal of Popular Music Studies.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Released in the U.S. in January 1968, "The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire.the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. "Sell Out", powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, "Sell Out" also functions as a critique of the rock and roll lifestyle.Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, "Sell Out" is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece. N° de réf. du vendeur LU-9780826417435
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Paperback. Etat : New. Released in the U.S. in January 1968, "The Who Sell Out" was, according to critic Dave Marsh, 'a complete backfire.the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke'. Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, "Sell Out", though still not the best selling release in "The Who's" catalog, has been embraced by a growing number of fans who regard it as the band's best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. "Sell Out", powerfully and ecstatically, articulates the nexus of pop music and pop culture. As much as it is an expression of the band's expanding sonic palette, "Sell Out" also functions as a critique of the rock and roll lifestyle.Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense, "Sell Out" is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict, emerges a pop art masterpiece. N° de réf. du vendeur LU-9780826417435
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Paperback. Etat : new. Paperback. Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Whos catalog, has been embraced by a growing number of fans who regard it as the bands best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the bands expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece. Fascinating study of The Who's pop art masterpiece and British pirate radio of the 1960s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780826417435
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