The publishers of the Portfolio have reminded me that there were several short biographies and essays of mine in old numbers of that periodical which it might be well to republish in a handier form. I have made a selection on the principle of keeping only what was of permanent interest, at least, as to its subject Perhaps a short account of the Portfolio itself may not be out of place here. The success of Etching andE tchers, first published in 1868, led me to think that a periodical might be founded in Englnd in which the original arts of design might be represented, either by original etchings or reproductions of drawings by the photographic processes which were then beginning to be applicable to the fine arts.
(Typographical errors above are due to OCR software and don't occur in the book.)
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