Book by Brand Max
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Doone had won the respect of every law-abiding citizen, from Tombstone to Sonora--and the hatred of every bushwacking bandit! But Bill Gregg wasn't one to let a living legend get in his way. What nobody told Gregg was that Doone didn't enjoy living up to his hard-riding, rip-roaring life--unless he took a chance at losing it once in a while. Frederick Schiller Faust (May 29, 1892 - May 12, 1944) was an American fiction author known primarily for his thoughtful and literary Westerns. Faust wrote mostly under pen names, and today is primarily known by one, Max Brand. Others include George Owen Baxter, George Evans, David Manning, John Frederick, Peter Morland, George Challis, and Frederick Frost. Faust was born in Seattle to Gilbert Leander Faust and Elizabeth (Uriel) Faust, who both died soon after. He grew up in central California and later worked as a cowhand on one of the many ranches of the San Joaquin Valley. Faust attended the University of California, Berkeley, where he began to write prolifically for student publications, poetry magazines, and occasionally newspapers. He did not attain a degree, as he was deemed a troublemaker, and began to travel extensively. He joined the Canadian Army in 1915, but deserted the next year and went to New York City. During the 1910s, Faust started to sell stories to the pulp magazines of Frank Munsey, including All-Story Weekly and Argosy Magazine. When the United States joined World War I in 1917, Faust tried to enlist but was turned down. He married Dorothy Schillig in 1917, and the couple had three children. In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith’s Western Story Magazine, a weekly for which he would write over a million words a year in fiction published under various pen names, with often two serials and a short novel in a single issue. In 1921 he suffered a severe heart attack, and for the rest of his life suffered from chronic heart disease. His love for mythology was, however, a constant source of inspiration for his fiction and his classical and literary inclinations are perhaps part of the reason for his success at genre fiction. The classical influences are certainly noticeable in his stories, many of which would inspire films. He created the Western character Destry, featured in several filmed versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books. Beginning in 1934 Faust began publishing fiction in upscale slick magazines that paid better than pulp magazines. In 1938, due to political events in Europe, Faust returned with his family to the United States, settling in Hollywood, working as a scriptwriter for a number of film studios. At one point Warner Brothers was paying him $3,000 a week (at a time when that might be a year’s salary for an average worker), and he made a fortune from MGM’s use of the Dr. Kildare stories. He was one of the highest paid writers of that time. Ironically, Faust disparaged his commercial success and used his own name only for the poetry that he regarded as his true vocation. When World War II broke out, Faust insisted on doing his part, and despite being well into middle age and a heart condition managed to become a front line war correspondent. Faust was quite famous at this point and the soldiers enjoyed having this popular author among them. While traveling with American soldiers as they battled Germans in Italy, Faust was mortally wounded by shrapnel and died in 1944. He was personally commended for bravery by President Franklin D. Roosevelt. ...
He came into the town as a solid, swiftly moving dust cloud. The wind from behind had kept the dust moving forward at a pace just equal to the gallop of his horse. Not until he had brought his mount to a halt in front of the hotel and swung down to the ground did either he or his horse become distinctly visible. Then it was seen that the animal was in the last stages of exhaustion, with dull eyes and hanging head and forelegs braced widely apart, while the sweat dripped steadily from his flanks into the white dust on the street. Plainly he had been pushed to the last limit of his strength. The rider was almost as far spent as his mount, for he went up the steps of the hotel with his shoulders sagging with weariness, a wide-shouldered, gaunt-ribbed man. Thick layers of dust had turned his red kerchief and his blue shirt to a common gray. Dust, too, made a mask of his face, and through that mask the eyes peered out, surrounded by pink skin. Even at its best the long, solemn face could never have been called handsome. But, on this particular day, he seemed a haunted man, or one fleeing from an inescapable danger.
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