Julius Shulman, one of the great master of architectural photography, is the preeminent recoreder of early California modernism. By 1927, when he was sixteen, Shulman was already using the family Brownie box camera to document his Southern Californis surroundings and experiences; in 1936, his professional career was launched when he sent Richard Neutra some uncommissioned photographs of the architect's Kun House. Shulman went on to document the famous Case Study House Program (architects included Charles and Ray Eames, Pierre Koenig, and Eero Saarinen) and also the architecure of the 1930s through the 1980s, especially that of Southern California, but also country and worldwide. His subjects included the buildings of R.M. Schindler, John Lautner, Raphael Soriano, Frank Lloyd Wright, Mies van der Rohe, Oscar Niemeyer, among many others. Through his work, Shulman defined the image of Los Angeles and framed the architecture of the time for a global audience. In addition to an overview of Shulman's career and photographic oevre, this book emphasizes Shulman's method of "constructing" photographic views. These contructions, which complemented his innate ability to compose striking photographs, often transcends reality to capture the spirit, time and place of a work of architecture. An analysis of architecture's visual presentation examines not only the media of the era--John Entenza's Arts & Architecture, for instance--but also the work of Shulman's photographic contemporaries.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Julius Shulman, one of the great masters of modern architectual photography, is the pre-eminent recorder of early California modernism.
Julius Shulman, one of the great master of architectural photography, is the preeminent recoreder of early California modernism. By 1927, when he was sixteen, Shulman was already using the family Brownie box camera to document his Southern Californis surroundings and experiences; in 1936, his professional career was launched when he sent Richard Neutra some uncommissioned photographs of the architect's Kun House. Shulman went on to document the famous Case Study House Program (architects included Charles and Ray Eames, Pierre Koenig, and Eero Saarinen) and also the architecure of the 1930s through the 1980s, especially that of Southern California, but also country and worldwide. His subjects included the buildings of R.M. Schindler, John Lautner, Raphael Soriano, Frank Lloyd Wright, Mies van der Rohe, Oscar Niemeyer, among many others. Through his work, Shulman defined the image of Los Angeles and framed the architecture of the time for a global audience. In addition to an overview of Shulman's career and photographic oevre, this book emphasizes Shulman's method of "constructing" photographic views. These contructions, which complemented his innate ability to compose striking photographs, often transcends reality to capture the spirit, time and place of a work of architecture. An analysis of architecture's visual presentation examines not only the media of the era--John Entenza's Arts & Architecture, for instance--but also the work of Shulman's photographic contemporaries.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Stacks Abound Books, Santa Maria, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 224 pp., with numerous illustrations and extensive index. Minor shelf and handling wear; dust jacket is now enclosed in a (removable) protective mylar cover. Gift-quality item. N° de réf. du vendeur ABE-1754458672251
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Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_473177238
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Vendeur : Friends of the Multnomah County Library, Portland, OR, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Special Edition. This is a nice reprint edition. Aside from very faint scratches on the dust jacket, a clean and sound copy of this book; no writing, highlighting, odors, stains, tears or folds. Proceeds from this sale benefit the Multnomah County Library in Portland, Oregon. This is not an ex-library book. N° de réf. du vendeur 4/19/23/2
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket; 224 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur A_ShRi85
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Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First edition, first printing. Very Good bumped hardback in a Very Good bumped and lightly edgeworn jacket, now protected in a Brodart. A clean, attractive, visibly lightly worn copy. N° de réf. du vendeur 008646
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Vendeur : W. Lamm, Los Angeles, CA, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. SIGNED and inscribed on the title page by Julius Shulman. ; Tight, clean and crisp. In excellent condition. No previous owners' inscriptions. No remainder mark. Not ex-library. As New. ; 8.83 X 0.99 X 11.25 inches; 224 pages; Signed by Author. Signed by Author(s). N° de réf. du vendeur 33001
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Vendeur : modern-ISM, Los Angeles, CA, Etats-Unis
Pictorial Boards. Etat : Fine. Etat de la jaquette : Very Good. First Edition. A crisp, clean Fine inscribed (by Julius Shulman) copy in a Very Good mylar-proyected dust jacket with a piece missing from the back cover, else Fine. 224 pp., inscribed by Shulma on the half-title page. Inscribed by Photographer. N° de réf. du vendeur 013147
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 55Y61_92_0847817776
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