This title offers a first comprehensive look at the work of young British artists Tim Noble and Sue Webster, who live in London. "Wasted Youth" perfectly describes their trash aesthetic and raised finger to their art world contemporaries. It features work exhibited in many major galleries around the world, including the Royal Academy and Saatchi. Enormous neon signs, intricate silhouette portraits constructed of trash heaps, and work titled "Instant Gratification: British artists Tim Noble and Sue Webster" seem enthralled with the thrills of illumination, love, language, shadows, garbage, and cash. Their comprehensive work "Wasted Youth" showcases their work in all its splashy glory. Their art evokes both gaudy Vegas culture and down-and-dirty punk-rock: a combination of bright-light extravagance, which seems to exalt the seductiveness of consumer culture and more! more! attitudes; and an irrereverence, a defiant, rebellious sensibility shining through. Extravagant, sometimes coarse, and always sharply clever, "Wasted Youth" is both a paean to and sly denunciation of modern consumer culture, and, above all, it's fun. Partners in both life and art, Tim Noble and Sue Webster entered the art scene in the mid '90s, initially fringe members of the YBA (Young British Artist) art scene, also known as the "Brit Pack." Noble and Webster quickly turned their back on the Brit Pack with their first critically acclaimed show - called "British Rubbish" - which was a kind of "f***-you" reaction to their art world peers. Ironically, they have since gained international reknown.
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Partners in both life and art, Noble and Webster entered the international art scene in the mid 1990s with their first critically acclaimed show—"British Rubbish." It was received as a kind of subversive reaction to their art world peers. Ironically it gained them worldwide notoriety. Extravagant, sometimes coarse, and always sharply clever, Wasted Youth is a both a paean to and sly denunciation of modern consumer culture. Their art, deemed "beautiful Baroque Kitsch" by the London Daily Telegraph, challenges our sense of conventional beauty by "rehabilitating the detritus of society and turning it into something pleasing."—the Guggenheim
Tim Noble and Sue Webster's work has been exhibited at many museums and galleries in the US and UK, including the Royal Academy of Arts in London, MoMA's P.S. 1 in New York, and the Museum of Fine Arts, in Boston. Their work is part of the permanent collection at MoMA, the Guggenheim, and Saatchi. In addition to managing Deitch Projects galleries, Jeffrey Deitch is an art writer and art advisor to collectors. Norman Rosenthal has been the Exhibitions Secretary at the Royal Academy of Art in London for more than twenty-five years.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized. N° de réf. du vendeur 0847828166-02
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Etat : Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de réf. du vendeur 00103126054
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 46229192-75
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
hardcover. Etat : Good. N° de réf. du vendeur mon0003996674
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued; unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur TiNoRi25
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Vendeur : Glands of Destiny First Edition Books, Sedro Woolley, WA, Etats-Unis
hardcover. Etat : Very Good. First Edition. Publisher: Rizzoli, New York, 2006. VERY GOOD Hardcover in black cloth-covered boards with titles stamped in gilt, as issued. Edges of boards worn, otherwise as new. First Edition. First Printing. N° de réf. du vendeur 2403030003
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:0847828166. N° de réf. du vendeur 9952055
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Vendeur : Fireside Bookshop, Stroud, GLOS, Royaume-Uni
hardcover. Etat : Good. Etat de la jaquette : No D/J. Smudge marks to ffep. No D/J. Light rubbing to extremities. N° de réf. du vendeur 725755
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Vendeur : JuddSt.Pancras, London, Royaume-Uni
Hardcover. Etat : As New. In original shrinkwrap. N° de réf. du vendeur c45183
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. Partners in both life and art, Noble and Webster entered the international art scene in the mid 1990s with their first critically acclaimed show--'British Rubbish.' It was received as a kind of subversive reaction to their art world peers. Ironically it gained them worldwide notoriety. Extravagant, sometimes coarse, and always sharply clever, Wasted Youth is a both a paean to and sly denunciation of modern consumer culture. Their art, deemed 'beautiful Baroque Kitsch' by the London Daily Telegraph, challenges our sense of conventional beauty by 'rehabilitating the detritus of society and turning it into something pleasing.'--the Guggenheim Slight scratching/scuffing on cover. Book has minor shelf wear. N° de réf. du vendeur 73984
Quantité disponible : 1 disponible(s)