Known for his oversize paintings of contemporary African-Americans in heroic poses inspired by the great history and portrait painters of the past, Kehinde Wiley’s clever and ironic “reversals” have provided rich commentary on the nature of race and power in our society. His work began primarily from photographs he took of young men on the street in Harlem that he remixed with a fusion of historic painting styles, including elements of the French rococo. As rich visually as it is conceptually, Wiley’s work has drawn attention since his earliest shows in 2001. In the last decade, he has become one of the most important artists of the moment, with work as relevant and resonant to the hip-hop generation as it is to high-end collectors and major museums.
This volume—the only comprehensive monograph on Wiley’s work—offers an in-depth understanding of this important artist’s work. It chronicles both the earliest paintings and photographs and his recent forays into sculpture—bust portraits in bronze in the manner of Renaissance artists.
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Kehinde Wiley received his MFA from Yale University in 2001. Shortly after, he became an artist-in-residence at the Studio Museum in Harlem. His work has been exhibited internationally and is in the permanent collection of major museums around the country, including the Brooklyn Museum. Art historian Robert Hobbs is an art historian at Virginia Commonwealth University, where he has held Rhoda Thalhimer Endowed Chair since 1991. He has also been a visiting professor at Yale University since 2004. Recognized as a scholar, teacher, and curator, Hobbs specializes in both late modern and post-modern art. Thelma Golden is the chief curator and director of the Studio Museum in Harlem, New York. Sarah Lewis is a scholar, writer, and curator. She has taught at Yale University School of Art in the MFA program and has been an active curator, holding positions at the Tate Modern and the Museum of Modern Art. Brian Keith Jackson is an award-winning author of three novels, a playwright, and a writer on arts and culture. His work has been featured on National Public Radio, and in The New York Times, New York Magazine, the London Observer, Vibe, and Paper, among others. Peter Halley is an artist and the founder of Index magazine.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BooksRun, Philadelphia, PA, Etats-Unis
Hardcover. Etat : Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. N° de réf. du vendeur 0847835499-11-1-29
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Vendeur : JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 2nd Edition. 2nd Edition (2019.) Hardcover with dust jacket. Folio with 248 pages. The book and dust jacket are in very good condition. Interior is clean and tight. Profusely illustrated. Pictures available upon request. "This book presents an impressive number of high quality, full color reproductions in a well-designed volume complete with gilt-edged pages (when have we last seen that." Pink spine/White text. International shipping extra. #035566 Size: Folio. Artist Monograph. N° de réf. du vendeur 035566
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 73W34_57_0847835499
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Vendeur : Salish Sea Books, Bellingham, WA, Etats-Unis
Etat : Very Good. Very Good Minus in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, just very light edgewear, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Light wear to the boards with a minor scuff to the bottom of the spine; Gilt coating to the top and right textblock edges is perfect while there is a small amount of rubbing to the gilt coating on the bottom edge; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (11.75" - 12.75" tall); 4.3 lbs; Light tan and green dust jacket with photo of man in t-shirt, and title in gold lettering; 2012, Rizzoli Publishing; 248 pages; "Kehinde Wiley," by Thelma Golden, et al. N° de réf. du vendeur SKU-1336AA00203274
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Vendeur : Antiquariat Willi Braunert, München, Allemagne
4°, hardcover, dustjacket. Very fine copy. Sprache: Englisch Gewicht in Gramm: 2000. N° de réf. du vendeur 26722
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Vendeur : Aeon Bookstore, New York, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Excellent overall condition, well bound and clean . Dustjacket in brodart, clean and intact with just some light rubbing at the very corners and edges. Lightly bumped at the corners of the boards. Interior has no marks except for a faint vertical smudge on the half title page. N° de réf. du vendeur ABE-1660858064679
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Vendeur : Ursus Books, Ltd., New York, NY, Etats-Unis
Golden, Thelma. KEHINDE WILEY. 248 pages, color illustrations throughout. 4to, cloth. New York, Rizzoli, 2012. N° de réf. du vendeur 166671
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Vendeur : Klondyke, Almere, Pays-Bas
Etat : Good. Original boards, dust jacket, all edges gilt, richly illustrated in colour, 4to. N° de réf. du vendeur 308321-MB3
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Vendeur : Bucklin Gallery, Thornwood, NY, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : fine. First Edition, First Printing. SIGNED COPY - New York, Rizzoli, 2012. Hardcover with gilt edges in pictorial dust jacket. First Edition, First Printing with the full numberline ending on 1. 248 pages with numerous color illustrations throughout. Kehind Wiley's oversize paintings of contemporary African-Americans in heroic poses inspired by the great history and portrait painters of the past. His work began primarily from photographs he took of young men on the street in Harlem that he remixed with a fusion of historic painting styles, including elements of the French rococo. As rich visually as it is conceptually, Wiley's work has drawn attention since his earliest shows in 2001. In the last decade, he has become one of the most important artists of the moment, with work as relevant and resonant to the hip-hop generation as it is to high-end collectors and major museums. This volume offers a comprehensive monograph on Wiley's and an in-depth understanding of this important artist, both the earliest paintings and photographs and his recent forays into sculpture and bust portraits in bronze in the manner of Renaissance artists. BOLDLY SIGNED/INSCRIBED Iin black marker across the entire half title page - To David Leigh / Kehinde W - BOOK CONDITION Fine; a solid, tight, clean copy in a Fine dust jacket showing light overall rubbing to panels, edges and corners. SIGNED. N° de réf. du vendeur 5529
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