FOREWORD INDIES Book of the Year Awards — 2017 BRONZE Winner for Art
New York Times Best Art Book of 2017
A flabbergasting experiment in publishing hubris, Monograph charts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners.
For thirty years, writer and artist (i.e. cartoonist) Chris Ware (b. 1967) has been testing the patience of readers and fine art fans with his complicated and difficult-to-comprehend picture stories in the pages of The New Yorker, The New York Times and other charitable periodicals—to say nothing of challenging the walls of the MCA Chicago and the Whitney Museum of American Art with his unevocative delineations and diagrams.
Arranged chronologically with all thoughtful critical and contemporary discussion common to the art book genre jettisoned in favor of Mr. Ware's unchecked anecdotes and unscrupulous personal asides, the author-as-subject has nonetheless tried as clearly and convivially as possible to provide a contrite, companionable guide to an otherwise unnavigable jumble of product spanning his days as a pale magnet for athletic upperclassmen's' ire up to his contemporary life as a stay-at-home dad and agoraphobic graphic novelist.
Shrewdly selected personal photos distract from justifiably little-seen early experiments littered among never-before-seen paintings and sculptures, all padded out with high-quality scans of original artwork publicizing jottings, mistakes, blunders and, especially, Mr. Ware's University juvenilia via which the reader can track a general cultural increase in tolerance for quality's decline since his work first came on "the scene." Expensive, heavy, and fashioned from the finest uncoated paper and soy-based ink, this thigh-crushing book is certain to cut off the circulation of all but the most active of comics boosters.
“There’s no writer alive whose work I love more than Chris Ware. The only problem is it takes him ten years to draw these things and then I read them in a day and have to wait another ten years for the next one.”—Zadie Smith
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Chris Ware is a storyteller known for his book Building Stories.
Ira Glass is the creator and producer of the radio program This American Life. Françoise Mouly is the publisher of TOON Books and the art editor of The New Yorker. Art Spiegelman is the Pulitzer Prize–winning author of Maus.
The first and much-anticipated monograph by multi-award winning cartoonist and graphic novelist Chris Ware, chronicling his influential quarter-century career. While illustrator Chris Ware's singular body of work is often categorized as comics, his trailblazing work defies genre. Whether he is writing graphic novels, making paintings, or building sculptures, Ware explores universal themes of social isolation, emotional torment, and depression with his trademark self-effacing voice. The end result is wry, highly empathetic, and identifiable to all walks of life. Ware, like Charles Schulz, Art Spiegelman, and R. Crumb, has elevated cartooning to an iconic art form. This volume is a personal, massive, never-before-seen look at how the artist's life and work combine, beginning with his newspaper family and the influence of their work; his art-school days in Austin and Chicago; to his career from the early 1990s to the present day. It also delves into how, as a storyteller and builder, his near-compulsion to build in three dimensions feeds into the thinking of his innovative narrative art. The book contains a comprehensive collection of his work, including many previously unpublished examples, and is an intimate window into a comics master sure to appeal to fans of art and storytelling.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Polidori Books, N. Easton, MA, Etats-Unis
Hardcover. Etat : Good. Lower spine is frayed, as is the lower corner of the back page; exterior is a bit grubby. The binding is tight and the pages are bright and unmarked. Oversized book, will require additional charge for rush or overseas shipping. N° de réf. du vendeur ABE-1779022833080
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Vendeur : HPB-Red, Dallas, TX, Etats-Unis
hardcover. Etat : Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_432880630
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Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Etat : Very Good. Very Good condition. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. N° de réf. du vendeur D14E-00989
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Vendeur : BISON BOOKS - ABAC/ILAB, Winnipeg, MB, Canada
Hardcover. Folio. Yellow cloth over illustrated boards with gilt lettering to spine. Still in publisher's original plastic wrapping: near fine. N° de réf. du vendeur 0100776
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Vendeur : True Oak Books, Highland, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket. First Edition; Second Printing. 13.1 X 1.33 X 18.2 inches; 280 pages; color illustrations and photographs throughout the book. Light rubbing and a couple of very minor smudges on the covers. This book is very large in size. Heavy item. Additional shipping charges may be required for international or expedited orders. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. N° de réf. du vendeur HVD-63741-JU-0
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 37R55_44_0847860884
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