A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation.
Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well.
This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alison M. Gingeras is a curator and writer based in New York and Warsaw. Naomi Fry is a staff writer at the New Yorker. Jamieson Webster is a clinical psychologist and psychoanalyst in private practice in New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Hardcover. 207 pages. Exhibition catalog for a show that ran September 15 through December 22, 2019. Features essays by Naomi Fry, Alison M. Gineras, and Jamieson Webster. Includes numerous color illustrations and a checklist. A fine copy in illustrated boards with a cloth spine. No dust jacket as issued. N° de réf. du vendeur 213632
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Hardcover. Etat : new. Hardcover. A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation.Since raising the ire of the early-1990s arts establishment with his deliberately provocative portrayals of women, John Currin has been best known for his brazen, militantly incorrect female iconography. Yet Currin has represented a range of masculine identities throughout his career as well.This volume is the first to focus exclusively on this aspect of his work, examining the evolution of his equally provocative depictions of men. It ranges from little-known early works on paper and a series of kitschy paintings of men with beards to signature eccentric figures such as the elderly reader in the painting 2070 (2005) and his more baroque genre scenes featuring male couples. Published to accompany the exhibition John Currin: My Life as a Man at the Dallas Contemporary, it offers a revealing new assessment of Currin's pictorial examinations of sexual politics. A revealing look at the evolution of male iconography in the work of one of the foremost painters of his generation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780847868131
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