This study examines 'Rome Open City' and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Forgacs is Professor of Italian at New York University, USA.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
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Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0851708048I4N00
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Vendeur : ThriftBooks-Reno, Reno, NV, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0851708048I4N00
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
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Vendeur : Broad Street Books, Branchville, NJ, Etats-Unis
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Citta Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR002393121
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Città Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. N° de réf. du vendeur LU-9780851708041
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Otto Preminger said the history of the cinema was divided into two eras: one before and one after Rome Open City (Roma Citta Aperta, 1945). The film is based on events that took place in Rome in 1944, during the Nazi occupation. This book re-examines the film and its place in Rossellini's career. David Forgacs reconstructs its production history, its relationship to the events that inspired it and the time in which it was made. He argues that the traditional critical labelling of Rome Open City as the original work of neo-realism fails to capture the film's hybrid and contradictory character. Part documentary record, part patriotic myth, Rome Open City is at once an extraordinarily powerful commemoration of wartime experience and a rhetorical reworking of that experience, using stereotypes and moral polarisations. This study examines "Rome Open City" and its place in Roberto Rossellini's career. The film is based on events that took place in Nazi occupied Italy 1944, one year before the film was made. The author argues that the film has value as a commerorative piece and as a documentary record. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780851708041
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
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