Sonnets, The - Couverture rigide

 
9780853060932: Sonnets, The

Extrait

Table of Contents

Title Page

Copyright Page

Introduction

Dedication

 

The Sonnets

 

Index of First Lines

THE PELICAN SHAKESPEARE GENERAL EDITORS STEPHEN ORGEL A. R. BRAUNMULLER

The Sonnets

135

WHo ever hath her wifh, thou haft thy will,
And Will too boote,and Will in oucr-plus,
More then enough am i that vexe thee ftill,
To thv sweet will making addition thus.
Wilt thou whofe will is large and spatious,
Not once vouchfafe to hide my will in thine,
Shall will in others feeme right gracious,
And in my will no faire acceptance shine:
The sea all water, yet receiues raine still,
And in aboundance addeth to his store,
So thou beeing rich in Will adde to thy Will,
One will ofrcine to make thy large Will more.
Let no vakinde, no faire beseechers kill,
Thinke all but one, and me in that one Will.

 

 

 

The playfully autobiographical (and wittily obscene) Sonnet 135 in its original form in the 1609 quarto, a good example of the ambiguities of early modern typography.

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The Sonnets edited by Douglas Bush published in the
United States of America in Penguin Books 1961
Revised edition published 1970
This new edition edited by Stephen Orgel with an Introduction
by John Hollander published 2001

 

Copyright © Penguin Books Inc., 1961, 1970

Copyright © Penguin Putnam Inc., 2001
All rights reserved

 


LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

 


Shakespeare, William, 1564-1616.
The sonnets / William Shakespeare ;
edited by Stephen Orgel ; with an introduction by John Hollander.
p. cm. - (The Pelican Shakespeare)

eISBN : 978-0-140-71453-1

Présentation de l'éditeur

This new edition focuses on Shakespeare's Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic, and other groupings. The volume also addresses the many questions that cast a veil of mystery over the genesis of the poems. To what extent are The Sonnets autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were The Sonnets written and in what order? What were the circumstances surrounding their publication? The volume is introduced by the sensitive critical insights of the poet and scholar, Anthony Hecht. The text, following the 1609 quarto, has been edited by Gwynne Blakemore Evans and is followed by his extensive annotation, informed by long acquaintance with Shakespeare's art. The volume as a whole will appeal to a new generation of students and poetry-lovers.

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