Sigmar Polke is a highly exemplary Postmodernist and perhaps one the most indicative of a truly European avant-garde culture. This book presents a number of critiques which shed light on Polke’s otherwise bewildering display of stylistic references, apparent changes of allegiance and often unorthodox techniques of production.
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0853239118I3N00
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Soft cover. Etat : Fine. Small Qto., 172 pages, illustrated. A Fine copy. N° de réf. du vendeur 103053
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Vendeur : Bahamut Media, Reading, Royaume-Uni
paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. N° de réf. du vendeur 6545-9780853239116
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Vendeur : Avol's Books LLC, Madison, WI, Etats-Unis
Paperback. Etat : Fine. N° de réf. du vendeur 225757
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
paperback. Etat : Very Good. Sigmar Polke: Back to Postmodernity: 4 (Tate Liverpool Critical Forum, 4) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780853239116
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Etat : Gut. Critical Forum Series, Volume 4. IX; 172 Seiten; Illustr.; 24 cm; kart. Gutes Ex.; der farb. Einband stw. geringfügig berieben; mit Aufkleber. - Englisch. - . Consistent with an important purpose of the Critical Forum series, it identifies aspects of Polke's work about which there is reasonable consensus besides those which stimulate profound disagreement, on the part of historians and critics who approach him from aesthetic, philosophical and socio-cultural standpoints. Some contributors ground Polke in Neo-Dada's great enterprise to reclaim contact with the historic German avant-garde, and see him as having strategically confused representation and abstraction identified as these idioms were with Cold War factions competing to subsume German (and European) cultural identity. Others regard him as an exponent of German Pop, reflecting not on conspicuous consumption in a plentiful economy (like American counterparts) so much as on 'ordinary' consumption in the subsistence economy which characterised Europe, and especially the two Germanies, during the long period of post-war recovery. Yet others argue that Polke is a Modernist who has missed the crucial moment when practising in an exclusively modernist idiom would have been significant, and see him as compulsively revisiting Pop, Op, Conceptualism, New Figuration and Post Painterly Abstraction. And still others regard this aspect of his work as indicating that significance today resides in synthetic achievement, and that Polke is thus a highly exemplary Postmodernist and perhaps also one of the most indicative of a truly European avant-garde culture during a time when American critiques and values have tended to dominate art historical thinking. (Verlagstext) // INHALT : CONTENTS ---- Introduction DAVID THISTLEWOOD ---- Sigmar Polke and the Critical Problem of Multiple 'Signature Styles' ---- DAVID CAMPBELL Plotting Polke ---- JOSEPH E. McHUGH ---- Connecting the Dots: Sigmar Polke's ---- Rasterbilder in their Sociopolitical Context ---- MARTIN HENTSCHEL ---- Plotting Polke's Showcase Piece: ---- Irony and Parody as Vehicles of ---- Criticism and Artistic Freedom ---- FIONA ELLIOTT Sigmar Polke and Romanticism ---- GERLINDE GABRIEL Sigmar Polke's Paganini ---- DONALD KUSPIT ---- At the Tomb of the Unknown Picture: ---- Sigmar Polke's Art ---- KEVIN POWER Polke's Postmodern Play ---- ROY HOLT ---- Polke's Work: Verbs Posing as Nouns ---- ANDREW BENJAMIN Polke at the End of Painting ---- BICE CURIGER ---- On Sigmar Polke's Photo-Piece Paris 1911 ---- ANNE MacPHEE Sigmar Polke: A Selected Bibliography ---- Index. ISBN 0853239118 Sprache: Deutsch Gewicht in Gramm: 650. N° de réf. du vendeur 1197490
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG. Illustrated white wraps. ix, 172 pages : illustrations. Contents: Introduction : Sigmar Polke and the critical problem of multiple 'signature styles' / David Thistlewood -- Plotting Polke / David Campbell -- Connecting the dots : Sigmar Polke's Rasterbuilder in their sociopolitical context / Joseph E. McHugh -- Plotting Polke's Showcase piece : irony and parody as vehicles of criticism and artistic freedom / Martin Hentschel -- Sigmar Polke and romanticism / Fiona Elliott -- Sigmar Polke's Paganini / Gerlinde Gabriel -- At the tomb of the unknown picture : Sigmar Polke's art / Donald Kuspit -- Polke's postmodern play / Kevin Power --Polke's work : verbs posing as nouns / Roy Holt -- Polke at the end of painting / Andrew Benjamin -- On Sigmar Polke's photo-piece Paris 1971 / Bice Curiger -- Sigmar Polke : a selected bibliography / Anne MacPhee. Includes bibliographical references and index. Editor, David Thistlewood ; Critical forum coordinator, Anne MacPhee. Series: Tate Gallery Liverpool critical forum series Vol. 4. N° de réf. du vendeur 184823
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Vendeur : Dieter Eckert, Bremen, Allemagne
Gr. 8°, IX, 172 S. mit einigen s/w Abbildungen, Orig.-Karton. (= critical forum series, Volume 4).- Einbanddeckel vorne oben mit einer winzigen Läsur. Sonst gutes Exemplar. N° de réf. du vendeur 113007
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Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
Paperback. Etat : Very Good. Softcover. Good binding and cover. Clean, unmarked pages. Light wear. Related ephemera included. ix, 172 pages : illustrations ; 24 cm. N° de réf. du vendeur 1912180006
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