This volume explores the broad social and cultural context for the development of portrait photography in the 19th century, showing how social and celebrity portraiture on the one hand, and scientific photography on the other, were different facets of the 19th-century fascination with classification and ordering. Between 1860 and 1900, editions of celebrity portraits, as well as the vogue for the "carte de visite", fuelled the fashion for collecting and classifying photographs of the face. In an age of rapid industrialization and the growth of the middle classes, the carte de visite became a means of conferring social status, and family albums - which often incorporated photographs of royalty and public figures - were used to position family members within society at large. Photographic portraiture's rapid rise to popularity encouraged its diffusion to other spheres, and the portrait photograph was adopted by the new sciences and technologies to provide empirical evidence for theories of evolution, phrenology, racial types, insanity and criminality. A system of scrutiny or "surveillance" of the face emerged. "The Beautiful and the Damned", which accompanies a major show at the National Portrait Gallery, London, is a significant addition to an important new area of photographic history. Illustrated with over 100 black-and-white images, the book also provides a comprehensive visual insight into the genre and features work by key figures such as Oscar Rejlander, Bassano, Eugene Atget and Julia Margaret Cameron.
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 6079522-20
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR004820739
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Vendeur : Kenneth Mallory Bookseller ABAA, Decatur, GA, Etats-Unis
Hardcover. Etat : Very good. Hardcover. 121pp+ index. Very good hardback in a very good dustjacket. N° de réf. du vendeur 61429
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Vendeur : Browsing Is Arousing, Middlebury, VT, Etats-Unis
Etat : Very Good. Hardcover, 121 pages. The Beautiful and the Damned looks for the first time at the broad social and cultural context for the development of portrait photography in the nineteenth century, showing how social and celebrity portraiture on the one hand, and scientific photography on the other, were different facets of the nineteenth-century fascination with classification and ordering.Between 1860 and 1900, editions of celebrity portraits, as well as the vogue for the carte de visite, fuelled the fashion for collecting and classifying photographs of the face. In an age of rapid industrialisation and the growth of the middle classes, the carte de visite became a means of conferring social status, and family albums - which often incorporated photographs of royalty and public figures - were used to position family members within society at large Record # 361574. N° de réf. du vendeur 361574
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. A black casebound book. There is a dust jacket with white text down a gray spine. Pages: (6), 1-121, (1). Contains many black-and-white images. "This text looks at the broad social and cultural context for the development of portrait photography in the 19th century, showing how social and celebrity portraiture on the one hand, and scientific photography on the other, were different facets of the era's fascination with classification." G-/VG: Exlibrary book. Sticker on the dust jacket at the base of the spine. Significant rip to the back of the dust jacket, essentially removing the lower left corner. No text or image is affected. Stamp on the front free end page. Sticker on the back pasted end page. Stamps on all text blocks. Clean pages and solid binding- remains a perfect reading copy. N° de réf. du vendeur 204044
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Vendeur : Books End Bookshop, Syracuse, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good-. Less than half-inch tear at top of DJ spine. Light tanning and edgewear. ; 8.75 X 0.75 X 10.25 inches; 121 pages. N° de réf. du vendeur 467307
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Vendeur : Gwyn Tudur Davies, Aberystwyth, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Hbk, v, 122 pages : illustrations, portraits ; 27 cm. A clean unmarked copy in fine condition. A clean unmarked copy in fine condition. Dust wrapper also in fine condition. Published on the occasion of the exhibition The Beautiful and the Damned : the Creation of Identity in Nineteenth-Century Photography, held at the National Portrait Gallery, London, 6 June - 7 October 2001. Contents : The beautiful and the damned - Putting faces to the names: social and celebrity portrait photography - Policing the face - Conclusion: template for a new order? [Identity (Psychology) in photography - Portrait photography - Photography History 19th century ; Exhibitions] g1020 / m13376. N° de réf. du vendeur 013376
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Vendeur : Lectioz Books, Gloucester, NSW, Australie
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Jacket has light general wear and no tears. A small area of eraser rubbing to top corner of ffep, otherwise internally very clean. Binding tight. 121pp The Beautiful and the Damned looks for the first time at the broad social and cultural context for the development of portrait photography in the nineteenth century, showing how social and celebrity portraiture on the one hand, and scientific photography on the other, were different facets of the nineteenth-century fascination with classification and ordering. Between 1860 and 1900, editions of celebrity portraits, as well as the vogue for the carte de visite, fuelled the fashion for collecting and classifying photographs of the face. In an age of rapid industrialisation and the growth of the middle classes, the carte de visite became a means of conferring social status, and family albums - which often incorporated photographs of royalty and public figures - were used to position family members within society at large. Size: 230mm x 265mm. Book. N° de réf. du vendeur 027181
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Vendeur : Book Bear, West Brookfield, MA, Etats-Unis
Hardcover. Etat : Very Good. 122 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of book binding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. N° de réf. du vendeur 028521
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Vendeur : David Strauss, FOLKINGHAM, Lincolnshire, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Published on the occasion of the exhibition held at the National Portrait Gallery, 6 June-7 October, 2001. 260 x 220 mm. vi, 122 pp., 104 text illustrations. [ISBN: 978-0853318217] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper. N° de réf. du vendeur 33619
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