Peter DeWint (1784-1849), was a major proponent of the early nineteenth-century watercolour tradition. While his links with others such as the Monro Circle, David Cox and John Constable have been discussed, little has been revealed of the painter's life and wider influences that directed his career as a landscape painter. Drawing together up-to-date scholarship, Peter DeWint (1784-1849): 'For the common observer of life and nature' re-presents and re-evaluates the artist and his work, so offering a reassessment of his approach to painting and his contribution to British art history. It seeks to locate DeWint within the changing attitudes and ideas in painting of the period and to highlight how key historical changes such as agrarian reform helped shape his career. It reveals, too, hitherto neglected facets of the painter's work including his interest in architectural subjects, his use of Creswick papers and his posthumous reputation. Featuring a full reprint of his wife's memoir, Peter DeWint (1784-1849): 'For the common observer of life and nature' will provide a major reappraisal of the artist's life and career.
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Dr John Lord is a Senior Lecturer in the History of Art, Lincoln School of Art and Design, University of Lincoln. Peter Bower is a forensic paper historian and paper analyst and Visiting Research Fellow in the School of Advanced Studies, University of London. Dr Jim Cheshire is Lecturer in the History of Art and Design, Lincoln School of Art and Design, University of Lincoln. John Ellis is a Graduate Social Scientist currently researching Peter DeWint's Lincolnshire landscapes and is author of numerous publications on the artist including A Topographical Landscape by Peter DeWint OWS (1784-1849): The Cultural and Socio-Economic Context and Peter DeWint, Walter Christaller and the Carrier's Cart. Ian Waites is a Senior Lecturer and Subject Leader in the History of Art and Design, Lincoln School of Art and Design, University of Lincoln. John Lord, Ian Waites, John Ellis, Jim Cheshire, Peter Bower
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Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Catalogue to accompany the exhibition held at the Collection, Lincoln, June 1-Aug. 28, 2007. Contents: Peter DeWint's life and career : 'mine is a beautiful profession' / John Lord -- Peter DeWint and the Lincolnshire landscape : 'the long, extensive distances' / Ian Waites -- Enclosure, drainage and DeWint in Lincolnshire : 'nowt at all but bracken and fuzz' / John Ellis -- The urban man : 'cities and towns . require the pencil; they defy the pen' / John Lord -- Peter DeWitt and the Victorians : 'the mostly truly English of our painters' / Jim Cheshire -- Peter DeWint and Thomas Creswick's paper : 'signed all over' / Peter Bower -- Appendix: a short memoir of the life of Peter DeWint and William Hilton RA / Harriet DeWint. 270 x 245 mm. 208 pp., illustrated throughout, mostly in colour. [ISBN: 978-0853319375] Hardbound. A near fine bright copy free from ownership inscriptions in like dustwrapper. N° de réf. du vendeur 332912
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Hardcover. Etat : As New. Etat de la jaquette : Fine. 1st Edition. Like new hardback copy appears unopened and unread BUT there is a tiny dent in the front of the dust jacket, almost imperceptible. Catalogue to accompany the exhibition held at the Collection, Lincoln, 2007. Lund Humphries, 1st edition, 208pp. Cloth, with dust jacket and numerous (full page) colour and b/w illustrations, 4to 28 x 26cm. Peter DeWint (1784-1849), was a major proponent of the early nineteenth-century watercolour tradition. While his links with others such as the Monro Circle, David Cox and John Constable have been discussed, little has been revealed of the painter's life and wider influences that directed his career as a landscape painter. Drawing together up-to-date scholarship, 'For the common observer of life and nature' re-presents and re-evaluates the artist and his work, so offering a reassessment of his approach to painting and his contribution to British art history. It seeks to locate DeWint within the changing attitudes and ideas in painting of the period and to highlight how key historical changes such as agrarian reform helped shape his career. It reveals, too, hitherto neglected facets of the painter's work including his interest in architectural subjects, his use of Creswick papers and his posthumous reputation. Featuring a full reprint of his wife's memoir, Peter DeWint (1784-1849 this beautifully presented book provides a major reappraisal of the artist's life and career. We pack our books properly and ship daily from the UK. N° de réf. du vendeur ABE-1741458254230
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