Vendeur : HPB-Diamond, Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_484506596
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Vendeur : Riverow Bookshop, Owego, NY, Etats-Unis
Hardcover w/DJ. Etat : Good/Good. B&W & Color Plates & Illus. (illustrateur). New York, NY: Harper & Row, Publishers. Good/Good. 1988. . Hardcover w/DJ. Sm 4to., 243 pp., dust jacket shelf wear, spine faded, light curling to edges, otherwise good; cover light shelf wear to edges and spine tips, otherwise quite good; front pastedown loose from board (causing front board to not be attached to text block directly - see photo), top edge of text block lightly soiled, otherwise pages clean and unmarked. . N° de réf. du vendeur BOOKS354143
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG+. Purple cloth with gilt lettering at spine; Duotone illus. dj.; 243 pp. 71 bw and color plates; Numerous bw figures. Contributions by Egbert Haverkamp-Begemann and Carolyn Logan. N° de réf. du vendeur 113785
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Qto., 243 pages, illustrated. A Fine copy in a Fine dust jacket. N° de réf. du vendeur 098423
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 244 pages; very good condition, light rubbing to dj; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur CrHaNY65
Quantité disponible : 1 disponible(s)
Vendeur : MW Books, New York, NY, Etats-Unis
1st edition. Very good cloth copy in a near-fine if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: 243 pages : illustrations (some color) ; 27 cm. Notes: "Published in association with the Drawing Center, New York. Published on the occasion of the exhibition . at the Drawing Center ." Includes bibliographical references (pages 224-233) and index. Contents: Bibliography p.224-233. List of exhibitions and catalogues p.234-238. Subjects: Picasso, Pablo; Michelangelo Buonarroti; Drawing Adaptations; Imitation in art; Drawing History; Imitation in art Exhibitions; European drawings - Catalogues, indexes. 1 Kg. N° de réf. du vendeur 402550
Quantité disponible : 1 disponible(s)
Vendeur : MW Books Ltd., Galway, Irlande
1st edition. Very good cloth copy in a near-fine if slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall. Physical description: 243 pages : illustrations (some color) ; 27 cm. Notes: "Published in association with the Drawing Center, New York. Published on the occasion of the exhibition . at the Drawing Center ." Includes bibliographical references (pages 224-233) and index. Contents: Bibliography p.224-233. List of exhibitions and catalogues p.234-238. Subjects: Picasso, Pablo; Michelangelo Buonarroti; Drawing Adaptations; Imitation in art; Drawing History; Imitation in art Exhibitions; European drawings - Catalogues, indexes. 1 Kg. N° de réf. du vendeur 402550
Quantité disponible : 1 disponible(s)
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 24I92_26_0856673501
Quantité disponible : 1 disponible(s)
Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0856673501
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. This book demonstrates how interpretation has stimulated creativity. The medium of drawing in particular has been favored by artists in their dialogue with the past. From the Renaissance to the mid-19th Century, copying after acknowleged masterpieces formed the undisputed basis for academic instruction, but even up until the present day, thre have been many reasons why artists have copied the work of others: to stimulate the imagination, to record a patriotic work of interest, to pay tribute to an admired master or to re-interpret, transform, or surpass an original in some way. The selection of drawings in this book presents a record of some remarkable and sometimes surprising encounters: Michelangelo and Masacchio, Durer and Mantegna, Rembrandt and Leonardo, Delacroix and Rubens, even Ingres and Holbein. In every case the significance of this encounter and its subsequent repercussions for the artist responding to his source are discussed. All the sources are illustrated, as wellas, in many cases, related works of art. Visually compelling, this book will be a major reference work and teaching source for many years to come. N° de réf. du vendeur 81521
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