His private interests are music and animal welfare. He writes often on opera, on the plight of endangered bears, tigers and apes, and on the exploitation of farm animals. He raises funds for the rescue and rehoming of abandoned and ill-treated domestic pets in one of the most deprived areas of London and keeps three rescued bitches. At a time when figurative painting has long been out of fashion in British art schools and among the curators of the nation's galleries of modern art, Richard Harrison has been one of the very few younger contemporary artists to hold to this ancestral tradition. His early work was essentially abstract, and abstract values have formed the armature of all of his later work, but in subject he has moved from an interest in the texture and manipulable qualities of the simple materials of a painting to biblical and mythical narratives that were common among European painters from the High Renaissance to the High Olympus of Victorian art. As a student at Chelsea School of Art, Harrison was noticed in 1987 by the critic Brian Sewell, then searching for young painters for an exhibition; they have remained in contact ever since.
This affectionate but dispassionate and critical book, part analysis and part account of an often alarming life, represents a comprehensive record of Harrison's intellectual and aesthetic development.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Brian Sewell has since 1984 been the art critic of the London Evening Standard and one of its political columnists, winning national and international press awards in both spheres. A graduate of the Courtauld Institute, he has written exhibition catalogues for the Royal Academy, the British Council and the Council of Europe, contributed to the catalogues of the Royal Collection, worked for a decade at Christie's, the international art auctioneers, as an expert on old masters, and been a consultant to museums and galleries in the USA, Germany, Switzerland and South Africa. He contributes to learned magazines and broadcasts on radio and television.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Very Good. Book is as new. 240pp with colour illustrations. Dust jacket in fair condition with a large tear. N° de réf. du vendeur 020703
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Vendeur : Jaycey Books, Ruislip, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Good. First Edition. Very good condition hardback in good jacket. No inscriptions. Some scuffs to jacket, with a small area (less than one inch) of surface loss to upper fore corner of front of jacket. --- General information: please email for any more information or condition photos. There may be other minor faults not included here, but this description should include all important points and convey accurately the overall conditon of the book(s) or other item. We are happy to give a more detailed description (by volume where applicable) on request. Posted next day (Mon-Fri) from the UK. We normally post by Royal Mail 1st class within the UK, but may use a slower service for books over 1kg or multiple orders or a tracked service for higher value orders. We normally post by tracked mail for overseas deliveries, and may request additional postage (at cost) for heavier books (buyers always have the option to cancel the order if we do so). N° de réf. du vendeur 008145
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : New. N° de réf. du vendeur 020104
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Vendeur : West Cove UK, Wellington, Royaume-Uni
Hardcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Gift message in front. Hardcover. English. Pub Year 2010, See images for condition. About the book >.>.> Nothing Wasted: The Paintings of Richard Harrison by Brian Sewell presents a detailed exploration of Richard Harrison's artistic journey. In a contemporary art landscape where figurative painting has fallen out of favour, Harrison stands out as one of the few younger artists clinging to this ancestral tradition. Initially known for his abstract compositions, Harrison's work has evolved to incorporate biblical and mythical narratives reminiscent of European painters from the High Renaissance through to the Victorian era. Despite this shift towards history painting, he maintains a profound engagement with the materials and techniques of painting, showcasing an interest in the canvas?s structure and the rich qualities of hand-ground oil paints.Sewell, who discovered Harrison during his studies at Chelsea School of Art in 1987, has remained an ardent supporter and critic of the artist's work. This book serves as both an analysis of Harrison's unconventional artistic practices and a reflection on his tumultuous life. Offering a critical yet affectionate view, it presents a comprehensive overview of Harrison's intellectual and aesthetic evolution. The book is richly illustrated with reproductions of Harrison's paintings, making it the most extensive collection of his work available in one volume. This fusion of biographical account and artistic critique provides an in-depth understanding of Harrison?s contributions to contemporary art, charting his journey from abstract roots to a compelling narrative style. (MP). N° de réf. du vendeur Batch-FM776-VG-15396
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Vendeur : George Longden, Macclesfield, Royaume-Uni
Hardback. Etat : Near Fine. Etat de la jaquette : Near Fine. 275 x 240 mm. 240 pp. Mottled tan cloth boards in pictorial jacket. Inscribed for previous owner by the artist on title page. ("To Maria,/With Best Wishes,/Richard/Richard Harrison January 2011".) Copious colour illustrations. Book. N° de réf. du vendeur 54605
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Vendeur : The Spoken Word, Oxfordshire, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Published by Philip Wilson Publishers in 2010, here is the first hardback printing of Brian Sewell's NOTHING WASTED: The Paintings of Richard Harrison, signed, inscribed and dated in black ink to the full title page by artist Richard Harrison. Beige cloth binding, white letetring, 237 sensationally illustrated glossy pages the book is in fine condition. The dust jacket is also fine. The book is outrageously heavy at 1.75 kg's and therefore additional postage MUST be applied to areas OUTSIDE the UK as follows: Europe £7, Rest of the World £15. UK postage is as quoted and will be tracked for this item. Signed by Author(s). N° de réf. du vendeur 11900
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Vendeur : Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Royaume-Uni
Buckram. Etat : Near Fine. Signed by author and presentation from artist. 237 pp. Buckram with white text in pictorial jacket. A couple of stains to front panel, with slight creasing to extremities. Internally clean. Colour illustrations throughout. 9780856676833 4to. Presentation Copy. N° de réf. du vendeur 73918
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Vendeur : David Bunnett Books, London, Royaume-Uni
HARDCOVER. Etat : New. Etat de la jaquette : New. 1st Edition. Inscribed and signed by Richard Harrison on the title-page (no other marks or inscriptions). Thick, heavy 4to. in thick cream linen covered boards, white lettering to spine and front cover, 237pp, colour plates, etc . [CONDITION: A well preserved AS NEW unmarked and unread copy in an AS NEW complete Dust Jacket. An excellent copy ] . . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. N° de réf. du vendeur TH250073
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