Everything You Always Wanted to Know About Lacan - Couverture souple

Couverture souple

ISBN 10 : 0860915921 ISBN 13 : 9780860915928

Editeur : Verso Books, 1992

Synopsis

'A modernist work of art is by definition 'incomprehensible'; it functions as a shock, as the irruption of a trauma which undermines the complacency of our daily routine and resists being integrated. What postmodernism does, however, is the very opposite: it objects par excellence are products with mass appeal; the aim of the postmodernist treatment is to estrange their initial homeliness: 'you think what you see is a simple melodrama your granny would have no difficulty in following? Yet without taking into account the difference between symptom and sinthom/the structure of the Borromean knot/the fact that Woman is one of the Names-of-the-Father ... you've totally missed the point!' if there is an author whose name epitomises this interpretive pleasure of 'estranging' the most banal content, it is Alfred Hitchcock (and-useless to deny it-this book partakes unrestrainedly in this madness).'
Hitchcock is placed on the analyst's couch in this extraordinary volume of case studies, as its contributors bring to bear an unrivalled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, from Rear Window to Psycho, as an exemplar of 'postmodern' defamiliarization. Starting from the premise that 'everything has meaning', the films' ostensible narrative content and formal procedures are analysed to reveal a rich proliferation of ideological and psychical mechanisms at work. But Hitchcock is here to lure the reader into 'serious' Marxist and Lacanian considerations on the construction of meaning. Timely, provocative and original, this is sure to become a landmark of Hitchcock studies.
Contributors: Frederic Jameson, Pascal Bonitzer, Miran Bozovic, Michel Chion, Mlladen Dolar, Stojan Pellko, Renata Salecl, Alenka Zupancic and Slavoj Zizek.

A propos du livre

À propos des auteurs

Slavoj Zizek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, In Defense of Lost Causes, four volumes of the Essential Zizek, and many more.

Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture's relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism, The Cultural Turn, A Singular Modernity, The Modernist Papers, Archaeologies of the Future, Brecht and Method, Ideologies of Theory, Valences of the Dialectic, The Hegel Variations and Representing Capital.

Renata Salcel is a philosopher and sociologist. She is Senior Researcher at the Institute of Criminology, University of Ljublijana, Slovenia, and Centennial Professor at the London School of Economics. Her previous books include The Spoils of Freedom and, edited with Slavoj Zizek, Gaze and Voice as Love Objects.

Alenka Zupancic is a researcher at the Institute of Philosophy in the Slovene Academy of Sciences, Ljublijana

Détails de l'édition

• Éditeur: Verso Books
• Date d'édition: 1992
• Langue: anglais
• ISBN 10: 0860915921
• ISBN 13: 9780860915928
• Reliure: Broché
• Nombre de pages: 286
• Éditeur: Zizek Slavoj
• Coordonnées du fabricant: non disponible
• Personne responsable: Terminal Video; n.pederzini@terminaldistribuzione.com; ; Via Bruno Buozzi, 24/26,; Granarolo dell'Emilia BO,; Italie