Can ballet ever be reconciled with feminist ideals?
'Beautiful, difficult, and compelling.' VANITY FAIR
'Don’t think, dear,' said Balanchine. 'Just do.'
For centuries, being a ballerina has been synonymous with being beautiful, thin, obedient and feminine. It is the crucible of womanhood, together with the harassment, physical abuse and eating disorders endemic at top schools. Can we abide this in a post #MeToo world?
Weaving together her own time at America’s most elite ballet school with the lives of renowned ballerinas throughout history, Alice Robb interrogates what it means to perform ballet today. She confronts the all-consuming nature of the form: the obsessive and dangerous practices to perfect the body, the embrace of submission and the idealisation of suffering.
Yet ballet also gifts its dancers ‘brains in their toes’, a way to fully inhabit their bodies and a sanctuary of control away from the pressures of the outside world. Perhaps it is time to reimagine its liberating potential.
***
'Part memoir, part journalistic investigation, the book weaves [Robb’s] early experiences as a dancer with those of her contemporaries, and of famous ballerinas… Don’t Think, Dear is powered by a fundamental love of the art form while exposing the toxic culture that runs through it.' GUARDIAN
'[Robb’s] timely book is a critical yet personal examination of classical ballet – a performing art highly dependent on the talent of women – filtered through the lens of 21st-century feminism… she brings a welcome academic rigour to a subject clearly born of deeply held emotions.' THE TIMES
'A study of an obsession remarkable for its nuance and insight… It might be easy… to assume that Don’t Think, Dear is Robb’s litany of grievances about a demanding art form in which she failed to flourish. Rather, it is a book about love, even if that love is ultimately unrequited… fascinating.' TLS
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Alice Robb has written for Vanity Fair, The Washington Post, The Atlantic and The New Republic, among other publications. Her first book, Why We Dream was recommended by The New Yorker, The New York Times, Today, Vogue, TIME and The Guardian, and has been translated into seventeen languages.
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Hardcover. Etat : Very Good. Donât Think, Dear: On Loving and Leaving Ballet This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9780861542345
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Hardback. Etat : Very Good. 'Don't think, dear' said Balanchine. 'Just do.' For centuries, being a ballerina has been synonymous with being beautiful, thin, obedient and feminine. It is the crucible of womanhood, together with the harassment, physical abuse and eating disorders endemic at top schools. Can we abide this in a post #MeToo world? Weaving together her own time at America's most elite ballet school with the lives of renowned ballerinas throughout history, Alice Robb interrogates what it means to perform ballet today. She confronts the all-consuming nature of the form: the obsessive and dangerous practices to perfect the body, the embrace of submission and the idealisation of suffering. Yet ballet also gifts its dancers 'brains in their toes', a way to fully inhabit their bodies and a sanctuary of control away from the pressures of the outside world. Perhaps it is time to reimagine its liberating potential. N° de réf. du vendeur 0090538
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Hardcover. Etat : new. Hardcover. Ballet is woman said George Balanchine, the founder of New York City Ballet.For centuries, being a ballerina has been synonymous with being beautiful, obedient and feminine. The sexism seems built-in and #MeToo rocked the ballet world with shocking revelations about harassment, physical abuse and eating disorders at top schools. But is there a different way of being a ballerina a feminist one?Weaving together her own time at Americas most elite ballet school and the lives of the most famous ballerinas in history, Alice Robb interrogates what it means to perform ballet today. Robb confronts the all-consuming nature of ballet: the obsessive and dangerous practices to perfect the body; the embrace of submission; the idealisation of suffering.But ballet also gifts its practitioners brains in their toes, a way to fully inhabit their bodies and a sanctuary of control and routine away from the pressures of the outside world. Dont Think Dear looks to figures like Misty Copeland and Alexandra Waterbury to carve out new paths for ballerinas.The art of ballet can be reimagined. But should it be? Can ballet ever be reconciled with feminist ideals? Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780861542345
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