The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics.
Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture.
Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Parisa Damandan was born in Isfahan, Iran, in 1967. She has a degree in Photography from the University of Tehran.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics.Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture.Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze. Following the establishment of the Islamic Republic of Iran in 1979, photographs of women uncovered were forbidden, resulting in the burning down of many photographers' studios. This work is a collection of pioneering photographs from the early twentieth century, which offers a window on the changing face of Iranian society during that period. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780863565533
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. . 2004. Collectors Ed/ /Eng-Fr-Sp-Sub ed. Paperback. . . . . N° de réf. du vendeur V9780863565533
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. collectors ed/ edition. 272 pages. 11.50x9.50x1.00 inches. In Stock. N° de réf. du vendeur __0863565530
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Collectors Ed/ /Eng-Fr-Sp-Sub ed. The establishment of the Islamic Republic of Iran in 1979 meant women were forced to wear the hijab and photographs of them uncovered were forbidden. As a result, many photographers' studios were burnt to the ground, while remaining archives of invaluable glass-plate negatives were left to moulder in attics.Parisa Damandan spent over ten years accumulating an impressive collection of pioneering photographs from the early twentieth century, in her hometown of Isfahan. Recently emancipated women posing in various state of dress, Polish war refugees on their tortuous journey home after fleeing the Nazis, men in fashionable hats or in traditional turbans and cloaks - these portraits offer a remarkable window on the changing face of Iranian society during a period of transition from a traditional to a modern culture.Alongside these stunning images are essays on the development of portraiture in Isfahan, the social dimensions of portrait photography in Iran, and the power of the gaze. N° de réf. du vendeur LU-9780863565533
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. . 2004. Collectors Ed/ /Eng-Fr-Sp-Sub ed. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780863565533
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur EB-9780863565533
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
Etat : New. pp. 263. N° de réf. du vendeur 18999664
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Kartoniert / Broschiert. Etat : New. Following the establishment of the Islamic Republic of Iran in 1979, photographs of women uncovered were forbidden, resulting in the burning down of many photographers studios. This work is a collection of pioneering photographs from the early twentieth ce. N° de réf. du vendeur 595110450
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