The concept of camp has never been easy to define. Derived from the French verb camper, "to pose," it has been variously interpreted as a style that favors exaggeration, an ironic attitude toward the cultural mainstream, and a form of aestheticism that celebrates artifice over beauty. At the same time, camp has been long associated with homosexual culture, or at least with a self-conscious eroticism that questions traditional gender constructions.
The sixteen essays on camp included in this book explore further the relationship between style and homosexuality, showing how camp has made its way into every aspect of our cultural lives: theater, popular music, opera, film, and literature. Beginning with an overview of what camp is, where it came from, and how it operates, the chapter addresses topics ranging from the "high camp" of Whitman and Proust to the "low camp" of drag queen culture and gay fanzines. Together they carry forward a conversation that began more than twenty-five years ago, before Stonewall and AIDS, when Susan Sontag published her memorable "Notes on Camp."Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Bergman is professor of English at Towson State University and author of Gaiety Transfigured: Gay Self-Representation in American Literature, which was cited by Choice as "a landmark contribution to the developing field of gay studies."
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. The 16 essays in this book explore the relationship between style and homosexuality, showing how "camp" has made its way into aspects of cultural life. The chapters address topics ranging from the "high camp" of Whitman and Proust to the "low camp" of drag-queen culture and gay fanzines. Editor(s): Bergman, David. Num Pages: 336 pages, 11 illustrations. BIC Classification: JFC; JFSJ; JFSK2. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 21. Weight in Grams: 499. . 1994. First Edition. paperback. . . . . N° de réf. du vendeur V9780870238789
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Etat : New. The 16 essays in this book explore the relationship between style and homosexuality, showing how "camp" has made its way into aspects of cultural life. The chapters address topics ranging from the "high camp" of Whitman and Proust to the "low camp" of drag-queen culture and gay fanzines. Editor(s): Bergman, David. Num Pages: 336 pages, 11 illustrations. BIC Classification: JFC; JFSJ; JFSK2. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 156 x 21. Weight in Grams: 499. . 1994. First Edition. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780870238789
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The concept of camp has never been easy to define. Derived from the French verb ''camper'' (to pose) it has been variously interpreted as a style that favours exaggeration, an ironic attitude toward the cultural mainstream and a form of aestheticism that celebrates artifice over beauty. At the same time, camp has been long associated with homosexual culture, or at least with a self-conscious eroticism that questions traditional gender constructions. The 16 essays on camp included in this book explore the relationship between style and homosexuality, showing how camp has made its way into every aspect of our cultural lives: theatre, popular music, opera, film, and literature. Beginning with an overview of what camp is, where it came from and how it operates, the chapters address topics ranging from the ''high camp'' of Whitman and Proust to the ''low camp'' of drag-queen culture and gay fanzines. Together they carry forward a conversation that began more than 25 years ago, before Stonewall and AIDS, when Susan Sontag published her memorable ''Notes on Camp''. 312 pp. Englisch. N° de réf. du vendeur 9780870238789
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