The hipster wit and graphic verve of Lee Friedlander's irreverent glimpses of the city street and tongue-in-cheek self-portraits of the 1960s delivered a bracing jolt to American photography. Since the early 1970s his mastery of craft, playful affection for tradition, and voracious curiosity have transformed that early style into a fluid stream of observation, ever more capacious, nimble, and sensuous. Working in extended series that he often makes into books-some two dozen so far-Friedlander has become one of the most prolific artists in photography's history. The considerable range of his work over the past five decades-including portraits, nudes, still lifes, and studies of people at work-is anchored in a uniquely vivid and far-reaching vision of the American scene.Friedlander, published to accompany a major retrospective exhibition at The Museum of Modern Art, generously surveys the entire range of the photographer's work to date in 764 plates presented as an unfolding series of family groups. Some groups are devoted to major projects-including Self Portrait (1970), The American Monument (1976), Portraits (1985), Nudes (1991), and Sticks & Stones: Architectural America (2004)-while others, rigorously organized by date, theme, and style, further enable readers to chart the evolution of an extraordinarily rich career. The book's large pages accommodate telling juxtapositions as well as ample reproductions of Friedlander's square-format photographs of the past decade, when a change of cameras made ail of his old problems new again and opened fresh paths of discovery. The plates conclude with a suiteof landscapes made in the American West, published for the first time. At once magisterial and bizarre, these pictures attest to the undiminished vitality of Friedlander's eye. In the book's main essay, Peter Galassi, the Museum's Chief Curator of Photography, offers the first in-depth account of Friedlander's career. Richard Benson, Dean of the Yale University School of Art, contributes a second essay telling the story of his own role in making Friedlander's books. The first detailed catalogue of Friedlander's books, special editions, and portfolios, along with a chronology and bibliography, conclude the volume.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Galassi is chief Curator Photography, The Museum of Modern Art, New York. The Museum has published many of his books, including most recently Andreas Gursky (2001) and Walker Evans & Company (2000). Richard Benson is Dean of the Yale University School of Art. His books include A Maritime Album : 100 Photographs and Their Stories (with John Szarkowski, 1997) and Lay This Laurel (with Lincoln Kirstein, 1972).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Randall's Books, Cathedral City, CA, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Museum of Modern Art, New York, 2005. Hardcover, 504 pp. Oversize format. From the major retrospective of American photographyer Lee Friedlander (born 1934), which took place from June 5 to August 29, 2005. Very good condition with faint age toning of page edges when viewed in strong light. Dust jacket spine has fading of the background color. See photos. ** Heavy or oversize Item. An extra shipping charge may apply.**. N° de réf. du vendeur ABE-1748817295987
Quantité disponible : 1 disponible(s)
Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. First edition, first printing. Huge heavy 15+ lb exhibition catalog. Near Fine hardback, lightest soiling to text block edges, in a Near Fine+ lightly rubbed and bumped unclipped dust jacket. A clean and only cosmetically worn copy. Heavy oversize book will require a variable shipping surcharge based on its final destination. N° de réf. du vendeur 014720
Quantité disponible : 1 disponible(s)
Vendeur : Edmonton Book Store, Edmonton, AB, Canada
Etat : very good. Etat de la jaquette : very good. 4to pp.480. Heavy book; additional postage will apply. book. N° de réf. du vendeur 336595
Quantité disponible : 1 disponible(s)
Vendeur : Last Exit Books, Charlottesville, VA, Etats-Unis
Hardcover. Etat : Very Good. Hardcover. Folio. Published by The Museum of Modern Art, New York, New York. 2005. 504 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth with titles present to the spine. Boards have light wear present to the extremities of the boards. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work--he most often produces extended series of pictures on a chosen theme, then publishes them in book form--is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape. " At the same time, he has pursued a playful dialogue with artistic tradition--as though open-eyed curiosity about the world, and a sophisticated taste for the wiles of picture-making were one and the same thing. Lee Friedlander takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date. ; 8vo 8" - 9" tall. N° de réf. du vendeur 73795
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Vendeur : Bagatelle Books, Asheville, NC, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition, First Printing. Quarto. 12 x 13 in. 480 pp. Profusely illustrated with black & white and a few color reproductions of photographs. Fine in original black cloth boards and fine pictorial dust jacket. Signed on the title page by Lee Friedlander. Published in conjunction with a retrospective exhibition of the same name at The Museum of Modern Art in New York from June 5th to August 29th, 2005, organized by Peter Galassi. With a essay by Richard Benson. Heavy edition, additional postage may apply if beyond media rate. Signed. N° de réf. du vendeur 8297
Quantité disponible : 1 disponible(s)
Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. N° de réf. du vendeur rev3877525911
Quantité disponible : 1 disponible(s)
Vendeur : PhotoTecture Books, London, Royaume-Uni
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. This is a book in excellent condition. Bought and looked at once by an enthusiast. There are some very slight shelf scuff marks to the dust jacket but no rips or tears. Note that this is a heavy book and although willing to post overseas, costs will vary from standard ABE rates. Pickup from London or Hampshire, England available. N° de réf. du vendeur PHO_085
Quantité disponible : 1 disponible(s)
Vendeur : curtis paul books, inc., Crestline, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Black cloth first edition is fine in fine jacket. Signed by Friedlander to title page. ; 297 X 0 X 325 millimeters; 504 pages; Signed by Author. N° de réf. du vendeur 42962
Quantité disponible : 1 disponible(s)
Vendeur : WAVERLEY BOOKS ABAA, Santa Monica, CA, Etats-Unis
First Edition. SIGNED by Lee Friedlander on the title page. Near fine in a very close to fine dj. (Mild bump at upper corner of spine & corresponding area on dj. Presents very well, though slightly noticeable) (13" X 12") (480pp.) Features 850 images, of which 25 are in color. A comprehensive production. N° de réf. du vendeur 312032
Quantité disponible : 1 disponible(s)
Vendeur : Apeiron Book Service, Sant'Oreste, RM, Italie
Rilegato. Etat : nuovo. Brand New Mint Copies. English., Ill. bn: --, Ill. colori: 860 duotone, Peso: 4145 gr. N° de réf. du vendeur 2203-AA05
Quantité disponible : 2 disponible(s)