More than sixty years have passed since the critic Robert Coates, writing in The NewYorker in 1946, first used the term'Abstract Expressionism' to describe the richly coloured canvases of Hans Hofmann. The name stuck, and over the years it has come to designate the paintings and sculptures of artists as different as Jackson Pollock and Barnett Newman,Willem de Kooning and Mark Rothko, Lee Krasner and David Smith. The achievements of this generation, which put NewYork City on the map as the centre of the international art world, are some of the 20th century's greatest masterpieces. Beginning in mid-1940s, under the aegis of Alfred H. Barr, Jr., works by then little-known American artists - including Pollock, de Kooning, Smith, Arshile Gorky and Adolph Gottlieb - began to enter the Museum's collection. These ambitious acquisition initiatives continued throughout the second half of the last century and produced a collection of Abstract Expressionist art with a breadth and depth unrivalled by any museum in the world.With an essay by Ann Temkin, Abstract Expressionism at The Museum of Modern Art celebrates the Museum's holdings from this epochal moment in the history of art and the institution like no other book.
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Ann Temkin is The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art, New York.
More than sixty years have passed since the critic Robert Coates, writing in The NewYorker in 1946, first used the term'Abstract Expressionism' to describe the richly coloured canvases of Hans Hofmann. The name stuck, and over the years it has come to designate the paintings and sculptures of artists as different as Jackson Pollock and Barnett Newman,Willem de Kooning and Mark Rothko, Lee Krasner and David Smith. The achievements of this generation, which put NewYork City on the map as the centre of the international art world, are some of the 20th century's greatest masterpieces. Beginning in mid-1940s, under the aegis of Alfred H. Barr, Jr., works by then little-known American artists - including Pollock, de Kooning, Smith, Arshile Gorky and Adolph Gottlieb - began to enter the Museum's collection. These ambitious acquisition initiatives continued throughout the second half of the last century and produced a collection of Abstract Expressionist art with a breadth and depth unrivalled by any museum in the world.With an essay by Ann Temkin, Abstract Expressionism at The Museum of Modern Art celebrates the Museum's holdings from this epochal moment in the history of art and the institution like no other book.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Oversized Hardcover. Etat : Good. More than 60 years have passed since Robert Coates, writing in the New Yorker in 1946, first used the term 'Abstract Expressioniosm' to describe the richly colored canvases of Hans Hofmann. The name stuck, and over the years it has come to designate the paintings and sculptures of artists as different from one antother as Jackson Pollock and Barnett Newman, Willem de Kooning and Mark Rothko, Lee Krasner and David Smtih. The achievements of this generation put New York on the map as the center of the international art world, and constitute some of the 20th century's greatest masterpieces . From the mid-1940, under the aegis of Alfred H. Barr, Jr., works by then little-known American artists - among them Pollock, Arshile Gorky - began to enter the Museum's collection. This volume celebrates the richness of MoMA's holdings of the paintings, sculptures, drawing, prints, and photographs from this epochal moment in the history of art and of the museum itself. Published to accompany the exhibition @The Modern Museum of Art (MoMA)/NYC/ 09.21.10-04.25.11. Illus., 120 color. 128p. N° de réf. du vendeur 2289471
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