In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signalled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In 1967, The Museum of Modern Art presented New Documents, a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signalled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Dave's Books, Brooklyn, NY, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. Brand new still in shrink wrap. Oversize book extra shipping charges will apply, especially for international and priority orders as this will not fit into a flat rate envelope. N° de réf. du vendeur ABE-1737063813017
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 208 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur BiBrTh40.1
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Etat de la jaquette : dj. First Edition. First edition and first printing. Hardcover. Foreword by Glenn D. Lower. Features text by Sarah Hermanson Meister, Lee Ann Daffner, and Marley Blue Lewis. Monograph on British photographer Bill Brandt that is divided into these sections: London in the Thirties, Northern England, World War II, Portraits, Landscapes, and Nudes. Includes 162 tritone reproductions, selected exhibition history, and a selected bibliography. A clean very near fine copy in a very near fine dust jacket. N° de réf. du vendeur 177601
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Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Hardcover. Etat : fine/near fine. First edition. Quarto. 10 1/2' x 9". 208pp.; 162 tritone reproductions. A fine copy in dust jacket. N° de réf. du vendeur 76508
Quantité disponible : 1 disponible(s)
Vendeur : Last Exit Books, Charlottesville, VA, Etats-Unis
Hardcover. Etat : New. Hardcover. 4to. The Museum of Modern Art, New York, 2013. 208 pgs. Illustrated throughout. Brand New and still sealed in the original shrinkwrap. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Bill Brandt was the preeminent British photographer of the twentieth century, a founding father of photography's modernist tradition whose half-century-long career defies neat categorization. This publication presents the photographer's entire oeuvre, with special emphasis on his investigation of English life in the 1930s and his innovative late nudes. The Museum of Modern Art has been exhibiting and collecting Brandt's photographs since the late 1940s, and has recently more than doubled its collection of vintage prints of his work, which forms the core of this selection. An essay by Sarah Hermanson Meister, Curator in the Department of Photography at MoMA, sets the artist's life and work in the context of twentieth-century photographic history. With rich duotone illustrations that highlight the special characteristics of Brandt's prints, this volume is an invaluable resource to students and scholars alike. Lee Ann Daffner, the Museum's Andrew W. Mellon Foundation Conservator of Photographs, contributes an illustrated glossary of Brandt's retouching techniques, enhancing the appreciation of Brandt's printing processes. The book also includes a generously illustrated appendix of Brandt's published photo-stories during the Second World War. EB; 8vo 8" - 9" tall. N° de réf. du vendeur 65403
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 105234
Quantité disponible : 2 disponible(s)