In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration. Within months of its making, Lawrences Migration series was divided between The Museum of Modern Art (even numbered panels) and the Phillips Memorial Gallery (odd numbered panels). The work has since become a landmark in the history of African-American art, a monument in the collections of both institutions, and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, marking the centenary of the Great Migrations start (191516), the panels will be reunited in exhibitions at The Museum of Modern Art and then The Phillips Collection. Published to accompany the exhibition, this publication both grounds Lawrences Migration series in the cultural and political debates that shaped the young artists work and highlights the series continued resonance for artists and writers working today.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Leah Dickerman has been Curator in the Department of Painting and Sculpture at The Museum of Modern Art since 2008. Her scholarship on the historical avant-garde appears in a broad range of publications. She earned her doctorate in art history from Columbia University, and has held faculty teaching positions at Stanford University and the University of Delaware.
In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration. Within months of its making, Lawrences Migration series was divided between The Museum of Modern Art (even numbered panels) and the Phillips Memorial Gallery (odd numbered panels). The work has since become a landmark in the history of African-American art, a monument in the collections of both institutions, and a crucial example of the way in which history painting was radically reimagined in the modern era. In 2015 and 2016, marking the centenary of the Great Migrations start (191516), the panels will be reunited in exhibitions at The Museum of Modern Art and then The Phillips Collection. Published to accompany the exhibition, this publication both grounds Lawrences Migration series in the cultural and political debates that shaped the young artists work and highlights the series continued resonance for artists and writers working today.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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