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9780873953610: The Deerslayer: Or, the First War-Path

Synopsis

Written during a nostalgic interval during Cooper's stormy battles with the Whig Press, The Deerslayer (1841) is the last of the world-famous Leatherstocking Tales in point of composition, though first in the biographical sequence. Employing physical adventure and violence in a mythopoetic setting drawn largely from his own youthful experience, Cooper evokes the stages of Natty's initiation as a subtly allegorical medium for instilling permanent values, values he thought should pervade the conduct of the American press and all segments of American society. According to Edmund Wilson, this book―which D. H. Lawrence called "the loveliest and best" of the Leatherstocking series―contains description which "owes its power, like Melville's description of the Pacific or one of Poe's pieces on landscape gardening, to an emotional content which has charged the object and transformed it into a symbol. And the action has a reality which we recognize and accept as we read: the reality of a dream full of danger." ― The Shock of Recognition

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Extrait

From the Introduction by Leslie A. Fiedler

In 1789, the year James Fenimore Cooper was born, the thirteen North Americancade he enjoyed a leisured existence as a gentleman farmer on inherited lands in both Cooperstown and Westchester County. Popular legend holds that Cooper turned to writing when his wife jokingly suggested that he attempt a novel, but it is now known thatme a gentleman farmer and householder. The one thing he still needed was a proper wife, which he was lucky enough to find in Susan DeLancey. She, as he already knew, came from a family richer and more securely upper class than his own and, as he learned, was also an affable, intelligent woman who was fond of reading. Cooper was content with this, yet at first he did not join her when she was busy with her books but indulged in the male pastimes of hunting and hiking in the nearby hills.

After Susan had given birth to four daughters, to whom she at first read and then taught to read to each other, Cooper would stay close enough to wherever they were reading to hear them. Surely some of the erotic and sentimental passages read in the voices of those he loved must have moved him deeply. But there is no record of any positive responses on his part. A single negative one, however, is recorded in almost everything that has ever been written about him.

One time, those accounts tell us, annoyed by the ineptitude of the text being read, he cried out, “Why do you waste time and money reading trash that anybody who can spell his own name could write better. Even me!” To this Susan is said to have answered–jokingly, according to some–“Why don’t you give it a try? I’d love to see you try.” Cooper responded that he would and, surprisingly enough, did, finally producing a full-length imitation of Jane Austen. When it was in print he would tell anyone who would listen that he was now a professional writer who would write fifty more books–and sell them. This almost no one believed he would do, and many wished he would not even try.

Though Cooper was aware that neither the critics nor the general reader were interested in any more Jane Austen clones, he felt he had to keep on writing because the family inheritance on which he had been living had begun to shrink, and at the same time it had become much more expensive to feed, clothe, and educate his growing daughters. What he really wanted to write was another book that saw the world through female eyes and talked about it in a female voice. In fact, he continued for a little while to experiment with transvestite fiction, even publishing two such short stories under the female pseudonym of Jane Morgan.

Présentation de l'éditeur

The great King of kings Hath in the table of his law commanded, That thou shalt do no murder. Take heed; for he holds vengeance in his hand, To hurl upon their heads that break his law. SHAKSPBARE. THAT the party to which Hist compulsorily belonged was not one that was regularly on the war-path, was evident by the presence of females. It was a small fragment of a tribe that had been hunting and fishing within theE nglish limits, where it was found by the commencement of hostilities, and, after passing the winter and spring by living on what was strictly the property of its enemies, it chose to strike a hostile blow before it finally retired. There was also deep Indian sagacity in the manosuvre VOL. II.
(Typographical errors above are due to OCR software and don't occur in the book.)

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Cooper, James Fenimore; Schachterle, Lance (Ed.); Ljungquist, Kent (Ed.); Kilby, James (Ed.)
ISBN 10 : 0873953614 ISBN 13 : 9780873953610
Ancien ou d'occasion Couverture rigide Edition originale

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Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good Plus. 1st Edition. NF / VG+. 1st Printing of the 1987 SUNY 1st Edition thus, edited by Lance Schachterle, Kent Ljungquist and James Kilby and with historical introduction and explanatory notes by James Franklin Beard. Book is straight, square, securely bound and free of markings and blemishes, Cover and unclipped Dust Jacket are clean and bright, with sharp corners, gently bumped joints, heads and tails, minor chipping to DJ head, top edge, and tail, straight spine / backstrip, hinges and edges, boldly legible lettering and crisply distinct design and artwork. (Please see Seller images). ISBN 0873953614. ShiroBooks, independent bookseller, takes pride in accurate descriptions, careful wrapping and safe shipping. ADDITIONAL CHARGE (DUE TO APPROX 3# SHIPPING WEIGHT) WILL APPLY IF SHIPPED OUTSIDE CONTINENTAL US; CONTACT SHIROBOOKS PRIOR TO ORDERING or for more information, details or photos. N° de réf. du vendeur 004622

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COOPER, James Fenimore.
ISBN 10 : 0873953614 ISBN 13 : 9780873953610
Ancien ou d'occasion Couverture rigide Edition originale

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Hardcover. Etat : As New. Etat de la jaquette : As New. Introduction and notes by James Franklin Beard. First edition thus. As new in like dust jacket. Still in original shrinkwrap. N° de réf. du vendeur 77991

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