Articles liés à English coloured books

English coloured books - Couverture rigide

Martin-hardie

 
9780874711653: English coloured books

Présentation de l'éditeur

Mr. G. H. Palmer, Mr. E. F. Strange, and my other colleagues in the National Art Libra at South Kensington; and from Mr. Campbell Dodgson, Mr. A. E. Tompson, and Mr. Whitman at the British Museum. Mr. Cyril Davenport, the editor of the present series, has also helped me considerably in researches at the British Museum, and has made many useful suggestions, of which I have been glad to avail myself Mr. Frank Short, A.R.A., has most kindly revised the chapter on the process of aquatint, and at several points has given valuable advice on questions of technique. I am much indebted to Mr. Carl Hentschel for personally showing me the full details of his three-colour process at Norwood ;also to the Dangerfield Lithographic Company at St. A lbans, and to Mr. A. Warner, of Messrs. Jeffrey sfjaper-printing works, for a similar courtesy in connection with their colour-printing. For other kind information and assistance I have to thank Mr. C. F. Bullock, Captain R. J. H. Douglas, Mr. Edwin J. Ellis, Mr. J. Grego, Mr. W. Gnggs, Mr. A. D. Hardie, Mr. J. Henderson, Mr. John I ighton, and Mr. T. ML
(Typographical errors above are due to OCR software and don't occur in the book.)

About the Publisher

Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.

Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Présentation de l'éditeur

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

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