Book by Tuchman Maurice Eliel Carol S
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Destinations, frais et délaisVendeur : JERO BOOKS AND TEMPLET CO., SANTA MONICA, CA, Etats-Unis
Paperback. Etat : Very Good. 1st Paperback Edition. 1st Paperback Edition, 4to with 336 pages. The book is in very good condition with slight shelf wear. Interior is clean and tight. Dark Gray spine/Yellow text. Size: 4to. Paperback. N° de réf. du vendeur 029924
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Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Paperback. Etat : Fine. 1st. 334 pages, illustrations (some colour); 31 cm. Catalogue of an exhibition organized by the Los Angeles County Museum of Art, and held October 18, 1992 to January 3, 1993 and other museums through December 1993. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of 'outsiders'--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ram!rez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativity. In addition to the curators, the contributors include Russell Bowman, Roger Cardinal, Barbara Freeman, Sander L. Gilman, Mark Gisbourne, Reinhold Heller, John M. MacGregor, Donald Preziosi, Allen Weiss, Jonathan Williams, and Sarah Wilson." - Publisher. *** CONTENTS: Eyes outside and eyes inside, by Jonathan Wiliams; Moral influences and expressive intent: a model of the relationship between insider and outsider, by Carol S. Eliel; Biographies of outsider artists, by Barbara Freeman; Expressionism's ancients, by Reinhold Heller; Surrealism and the paradigm of the creative subject, by Roger Cardinal; From the asylum to the museum: marginal art in Paris and New York, 1938-68, by Sarah Wilson; Looking to the outside: art in Chicago, 1945-75, by Russell Bowman; Playing tennis with the king: visionary art in central Europe in the 1960s, by Mark Gisbourne; Contemporary artists and outsider art, by Carol S. Eliel and Barbara Freeman; Constructing creativity and madness: Freud and the shaping of the psychopathology of art, by Sander L. Gilman; I see a world within the world: I dream but am awake, by John M. MacGregor; Nostalgia for the absolute: obsession and art brut, by Allen S. Weiss; Art history, museology, and the staging of modernity, by Donald Preziosi. Size: 4to. Collectible. N° de réf. du vendeur 123427
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Vendeur : R. Rivers Books, Running Springs, CA, Etats-Unis
Soft cover. Etat : Very Good. 1st Edition. Los Angeles County Museum, 1992. Softcover. 8 ½ x 11 ". 334 pp. Very good. Minor shelf wear. The interior appears unmarked. The binding is solid. N° de réf. du vendeur BOOK3-100219014
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Good. N° de réf. du vendeur mon0003440380
Quantité disponible : 1 disponible(s)
Vendeur : Blue Skye Books, Novato, CA, Etats-Unis
Soft cover. Etat : Fine. 1st Edition. Los Angeles: LA County Museum, 1992. 1st soft cover edition, F/. Large paperback has very little wear. 264 illustrations, of which 121 are in color. Includes checklist of the exhibition which details of each artwork, photo sources & credits and index. 14 essays by 13 leading art critics. Each essay has its own notes and sources. "What a host of modern artists found most fascinating and instructive about the art of 'outsiders' - those self taught individuals, sometimes mentally disturbed, who compulsively create while isolated from mainstream culture - was the sincerity, depth, and power of their unadulterated, unmediated expressions." Nice copy. RDN16. N° de réf. du vendeur 004092
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Paperback. Etat : Very Good. N° de réf. du vendeur mon0003780314
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Vendeur : KULTURAs books, Los Angeles, CA, Etats-Unis
Softcover. Etat : Fine. 4to 11" - 13" tall; 334 pages. N° de réf. du vendeur 104105
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Vendeur : Flip Your Wig, Cloverdale, CA, Etats-Unis
Paperback. Etat : Very Good. Clean cover. Unmarked clean pages. N° de réf. du vendeur 062423003
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Vendeur : West Coast Bookseller, Moorpark, CA, Etats-Unis
Paperback. Etat : Bottom of spine is damaged. N° de réf. du vendeur C2-101b
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Vendeur : BIBLIOPE by Calvello Books, Oakland, CA, Etats-Unis
Paperback. Etat : very fine. First Edition. Folio in grey stiff paper wraps; 334 pages: illustrations (many color); 31 cm. Publisher description: In 1912 Paul Klee declared that the art of the mentally ill, as well as the art of children, "really should be taken far more seriously than are the collections of all our art museums if we truly intend to reform today's art." What Klee found most fascinating and instructive about the art of "outsiders"--those self-taught individuals, sometimes mentally disturbed, who create while isolated from mainstream culture--was the sincerity, depth, and power of their un-adulterated, unmediated expressions. Parallel Visions, an exhibition and catalogue organized and produced by the Los Angeles County Museum of Art, reveals the considerable influence that outsider art has had on the development of twentieth-century art. The work of such "marginalized" artists and compulsive visionaries as Antonin Artaud, Ferdinand Cheval, Henry Darger, Howard Finster, Madge Gill, Martin Ramirez, P. M. Wentworth, Adolf Wlfli, and Joseph Yoakum is juxtaposed with the work of devotees of outsider art among modern artists. Essays by the curators of the exhibition, Maurice Tuchman and Carol S. Eliel, and by other commentators offer a history of this phenomenon as well as an exploration of issues crucial to the formation of our aesthetic and critical judgments and our notions of creativityContents: Eyes outside and eyes inside / Jonathan Wiliams. Moral influences and expressive intent: a model of the relationship between insider and outsider / Carol S. Eliel. Biographies of outsider artists / Barbara Freeman. Expressionism's ancients / Reinhold Heller. Surrealism and the paradigm of the creative subject / Roger Cardinal. From the asylum to the museum: marginal art in Paris and New York, 1938-68 / Sarah Wilson. Looking to the outside: art in Chicago, 1945-75 / Russell Bowman. Playing tennis with the king: visionary art in central Europe in the 1960s / Mark Gisbourne. Contemporary artists and outsider art / Carol S. Eliel and Barbara Freeman. Constructing creativity and madness: Freud and the shaping of the psychopathology of art / Sander L. Gilman. I see a world within the world: I dream but am awake / John M. MacGregor. Nostalgia for the absolute: obsession and art brut / Allen S. Weiss. Art history, museology, and the staging of modernity / Donald Preziosi. Notes: Catalog of an exhibition organized by the Los Angeles County Museum of Art, and held October 18, 1992-December 12, 1993. Artists include: Alo?se (Alo?se Corbaz); Gregory Amenoff; Karel Appel; Antonin Artaud; Donald Baechler; Georg Baselitz; Hans Bellmer; Christian Boltanski; Jonathan Borofsky; Victor Brauner; Karl Brendel (Karl Genzel); Andr? Breton; Roger Brown; Carlo (Carlo Zinelli); Case 411; Gaston Chaissac; Ferdinand Cheval; Joseph Cr?pin; Salvador Dal?; Henry Darger; Jim Dine; Jean Dubuffet; Norris Embry; Max Ernst; Howard Finster; Madge Gill; Joseph Glasco; Paul Goesch; Leon Golub; Red Grooms; Johann Hauser; George Herms; Carl Fredrik Hill; Jess (Jess Collins); Paul Klee; Johann Kn?pfer (Johann Knopf); Alfred Kubin; Augustin Lesage; Richard Lindner; Heinrich Hermann Mebes; Annette Mesager; Heinrich Anton M?ller; J. B. Murry (John B. Murry or Murray); Andy Naisse; Walter N?vratil; August Neter (August Natterer); Gladys Nilsson; Jim Nutt; Claes Oledenburg; Viktor Orth (Clemens von Oertzen); Alfonso Ossorio; A. R. Penck; Roland Penrose; Franz Pohl (Franz Karl B?hler); Arnulf Rainer; Mart?n Ram?rez; Simon Rodia; Barbara Rossi; Niki de Saint Phalle; Italo Scanga; Clarence Schmidt; Julian Schnabel; Fiedrich Sch?der-Sonnenstern; H?l?ne Smith; Louis Soutter; Jean Tinguely; August Walla; Heinrich Welz (Hyacinth von Wieser); P. M. Wentworth; H. C. Westermann; Scottie Wilson (Louis Freeman); Adolf W?lfli; Joseph Yoakum; Ray Yoshida. // **Somewhat large, heavy item. Additional shipping fees may be needed for expedited or international orders. Please inquire**. As new; very fine with extremley faint shelf-wear to exterior. N° de réf. du vendeur 103690
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