In this work, the author offers the first English-language study of the controversial dramatist George Tabori. A Jewish-Hungarian playwright and novelist, Tabori is a unique figure in post-war German theatre -one of the few theatre people since Bertolt Brecht to embody "the ideal union" of playwright, director, theatre manager, and actor. Revered as a "theatre guru", Tabori's career, first in the United Sates and later in Germany, is fraught with controversy. "There are taboos that must be broken or they will continue to choke us", he wrote upon the 1969 German premier of "Cannibals", a shockingly grotesque play about the inmates of a concentration camp who, in desperation, prepare to eat one of their mates in order to survive. This deliberately provocative debut marked the direction Tabori's work would take in the years to come. In his so-called Holocaust plays ("Jubilee", My Mother's Courage", "Mein Kampf" etc.) he confronted national socialism and the systematic murder of European Jewry in a revolutionary way. In all of his work Tabori consciously resists the historical distortions of sentimental pity or sanctimonious judgement and hypocritical philo-semitism, which is in many cases the reverse or anti-Semitism. Making use of invaluable archival material, the author's biographical account is followed by a study of Tabori's experimental theatre work. As did prominent avant-gardists such as Grotowski or Chaikin, Tabori sought to open up new vistas in an otherwise mainstream theatre system. She pays special attention to Tabori's theatrical innovations, most movingly found in his Holocaust plays. There she shows the ways in which Tabori's theatre becomes a locus of remembrance (Gedachtnisort) and a unique, engaging memory-work (Erinnerungsarbeit).
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Vendeur : Magus Books Seattle, Seattle, WA, Etats-Unis
Hardcover. Etat : VG. Etat de la jaquette : Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. N° de réf. du vendeur 1352086
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Vendeur : The Book Re-View, Orillia, ON, Canada
Hardcover. Etat : Good. Etat de la jaquette : Good. N° de réf. du vendeur 114706
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0877456860. N° de réf. du vendeur 9971841
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Vendeur : Alplaus Books, Alplaus, NY, Etats-Unis
Hardcover. Etat : New. New in shrinkwrap. Shrinkwrap generally intact with mild wear. N° de réf. du vendeur 69402aa
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Vendeur : Midway Book Store (ABAA), St. Paul, MN, Etats-Unis
Hardcover. First edition. 24 x 15 cm. Octavo. 346pp. Orange and black boards in dust jacket. Small closed tear to front cover of jacket. Studies in Theatre History & Culture. Fromt he jacket flap: Feinberg offers the first English-language study of the controversial dramatist George Tabori. A Jewish-Hungarian playwright and novelist, Tabori is a unique figure in postwar German theatre - one of hte few theatre people since Bertolt Brecht to embody "the ideal union" of playwright, director, theatre manager, and actor. Tabori's career, first in the United States and later in German, is fraught with controversy." Very Good in Very Good dust jacket. N° de réf. du vendeur 58813
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