Have you heard of the first American musical ÊThe Black CrookÊ which opened in 1866 and had fifteen revivals? Do you know Oscar Straus's hilarious parody of Wagner's ÊRingÊ cycle ÊDie lustigen NibelungenÊ (The Merry Nibelungs)? Do you know who the Ricci brothers the Piccinni family Edmond Audran David Braham or Fran§ois-Joseph Gossec were? Look them up in this remarkable thoroughly researched lively book. Packed with nearly 1 800 entries this is a must-have research tool and handy reference for the theater and music lover student teacher professional singer director and producer!ÞMeant as a supplement and companion to ÊBlumenfeld's Dictionary of Acting and Show BusinessÊ (Limelight 2009) this unique dictionary is chock-full of information about all the various genres of musical theater; thumbnail plot summaries of works well-known and obscure; thumbnail biographies of composers and writers; and dance theatrical singing and music terminology. Historical terms and foreign terms (with pronunciations) are included along with information on available recordings of many obscure pieces. Convenient lists of the works of Verdi Puccini Wagner Gilbert and Sullivan Sondheim Rodgers and Hammerstein and many others are provided.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Robert Blumenfeld lives and works as an actor, dialect coach, and writer in New York City. He is the author of Using the Stanislavsky System: A Practical Guide to Character Creation and Period Styles (2008); Blumenfeld's Dictionary of Acting and Show Business (2009); and the collaborator with Alice Spivak on her book, How to Rehearse When There Is No Rehearsal: Acting and the Media (2007) - all published by Limelight.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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