Vachel Lindsay (1879-1931) was the most intensely romantic US poet of his generation. Less well known is the fact that Lindsay was also a radical critic of the white supremacy, greed, misery, brutality, ugliness and emptiness inherent in US capitalist culture. His only novel, The Golden Book - now back in print after over 80 years of shameful neglect - is a relentless dreamer's all-out assault on the stupidity and bigotry of Main Street USA. Linsay's Luciferian lyricism, incantatory and even shamanic; the carnivalesque enthusiasm and humor that he called the 'higher vaudeville'; and of course that zany, jubilant, self-contradictory mysticism that was all his own are amply evident in this radically nonconformist dram of the future. In The Golden Book, the coffee houses, movie theaters, streets and parks of Springfield in the 'Mystic Year' 2018 are the setting for a valiant struggle to transform a village dominated by shady politicians, lynch-mobs, commercialism and cocaine into a new paradise. Ron Sakolsky's superb introduction, the most detailed examination yet of Lindsay's 'Johnny Appleseed utopianism', explores The Golden Book as a radical response to the Springfield Race Riot of 1908; relates the book to the utopias of Fourier, Ruskin, Bellamy, and others; and traces Lindsay's involvement in Chicago radicalism in the 1910s, as well as his affinities with anarchism, feminism, Black liberation, the IWW, and such poet radicals as Blake, Lautreamont, the surrealists, Langston Hughes and the Beats.
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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