In The Hampton Project, Carrie Mae Weems knits her concerns about individual identity, class, assimilation, education and the legacy of slavery into a series of photographic banners that force viewers to reassess their own moral and ethical boundaries, as well as the political and socioeconomic realities of twentieth-century America. Weem's Hampton Project is shaped in part as a response to vintage photographs of the historically Black Hampton Institute (Hampton, Virginia) and period images of African American and Native Americans, as well as to Frances Benjamin Johnston's celebrated Hampton Album of 1900. Cartonnage illustré, jaquette d'épais papier calque, 23,5 x 31 cm
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In The Hampton Project, Carrie Mae Weems knits her concerns about individual identity, class, assimilation, education and the legacy of slavery into a series of photographic banners that force viewers to reassess their own moral and ethical boundaries, as well as the political and socioeconomic realities of twentieth-century America. Weem's Hampton Project is shaped in part as a response to vintage photographs of the historically Black Hampton Institute (Hampton, Virginia) and period images of African American and Native Americans, as well as to Frances Benjamin Johnston's celebrated Hampton Album of 1900. Cartonnage illustré, jaquette d'épais papier calque, 23,5 x 31 cm
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Diatrope Books, Berkeley, CA, Etats-Unis
Hardcover. Etat : Good. *Flash Sale* 30% OFF* ENDS 7/19 -Exhibition card measuring 5.5x8.5 inches. Slight soiling on back. Front is the image Mourning (2008. Back is information about the reception: January 8, 2009. The exhibition at Gallery Paule Anglim ran from January 7 through 31, 2009. Carrie Mae Weems (b. 1953) is an American artist working in text, fabric, audio, digital images and installation video, and is best known for her photography. N° de réf. du vendeur 36192
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0893819131I3N00
Quantité disponible : 1 disponible(s)
Vendeur : 4NiceDesign, EVANSTON, IL, Etats-Unis
Hardcover. Etat : Near Fine. Dust Jacket Included. Dust Jacket in nice shape with light shelf wear, pages clean and binding tight. N° de réf. du vendeur BK 35711
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Vendeur : Ezekial Books, LLC, Manchester, NH, Etats-Unis
hardcover. Etat : Good. 100% Satisfaction Guaranteed. N° de réf. du vendeur 51UTKD00002F
Quantité disponible : 1 disponible(s)
Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. N° de réf. du vendeur 1108427
Quantité disponible : 1 disponible(s)
Vendeur : Last Exit Books, Charlottesville, VA, Etats-Unis
Hardcover. Etat : Very Good. Hardcover. 4to. Aperture, New York/Williams College Museum of Art Williamstown, MA. 2001. 108 pgs. First Edition/First Printing. Publisher's acetate DJ has shelf-wear present to the DJ extremities (rear DJ wrapper is damp stained along the rear board edge). Bound in illustrated paper coverd boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Carrie Mae Weems: The Hampton Project brings together photographs from Frances B. Johnston's stunning Hampton Album of 1900 with a related series of images by renowned contemporary artist Carrie Mae Weems. This remarkable book examines the work of two women, distanced by time and race, yet joined by their shared interest in a unique educational experience. For twenty years, Carrie Mae Weems has made powerful artwork--often with a fiercely ironic sensibilityfrom complex social observations. In The Hampton Project, she knits her concerns about individual identity, class, assimilation, education, and the legacy of slavery into a series of photographic banners that force viewers to reassess their own moral and ethical boundaries, as well as the political and socioeconomic realities of twentieth-century America. EB; 12.2 X 9.3 X 0.7 inches; 108 pages. N° de réf. du vendeur 60591
Quantité disponible : 1 disponible(s)
Vendeur : Outer Print, Richmond, VA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 1st Edition. Fine hardcover in a Very Good acetate dust jacket. First Edition, First Printing with the full number line. The book is clean and bright. Numerous color plates, some fold-out. Light shelf wear to the dust jacket with a shallow tear to the lower front cover. 96 pp. N° de réf. du vendeur 002922
Quantité disponible : 1 disponible(s)
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Etat de la jaquette : dj. First Edition. First edition. Hardcover. First printing. 95 pages. Essays by Frederick Rudolph, Constance W. Glenn, Deborah Willis-Kennedy, Jeanne Zeidler. Features an interview of Weems by Denise Ramzy and Katherine Fogg. Includes 25 duotone and 29 color images. A fine copy in photo illustrated boards and in a very near fine translucent printed dust jacket. N° de réf. du vendeur 210621
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 82T42_23_0893819131
Quantité disponible : 1 disponible(s)
Vendeur : SHIMEDIA, Brooklyn, NY, Etats-Unis
Etat : New. Satisfaction Guaranteed or your money back. N° de réf. du vendeur 0893819131
Quantité disponible : 1 disponible(s)