Getting a new show up and running? Planning a revival? Taking over a long-running show? Going on the road? On Broadway, off Broadway, in regional repertory, or on tour, the only book you need as your professional companion is Peter Lawrence's comprehensive and definitive "Production Stage Management for Broadway". With this book, Tony Award-winning Peter Lawrence has turned his decades of experience on Broadway into a thoroughly modern approach to the art and business of production stage managing and successfully pursuing a stage manager's career. Written for a wide range of readers -- from the beginning stage manager with high school or college experience to the professional assistant stage manager already working in commercial theatre to seasoned Broadway professional this book is, at its heart, an invaluable map of how to get from the beginning through the end of a production. Filled with industry-savvy advice, including: Who's who on a stage production and how they all interact; Getting the job; The pre-production period, including pre-rehearsal duties and responsibilities; Production meetings -- from early conceptualising through rehearsals and previews: Choosing and organising a stage management team: Handling rehearsals; Running technical rehearsals; Organising your calling scripts; Managing previews; Planning for opening night and the critics' Structuring the running of an ongoing show. Plus, indispensable charts and graph templates and examples that include: Production calendar; Musical pit layout; PSM's casting notes format; Daily rehearsal report; Wardrobe breakdown; Prop list; Tech table layout; Ideal layout of the PSM's calling desk; Cues to begin dry tech; Musical calling script; Dance calling script; Daily performance report; Weekly stage manager's report; Weekly schedule.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Lawrence is a stage manager with over 40 years of experience in the commercial theatre. Working as production stage manager, he originated over 25 Broadway productions, among them Spamalot, Hurlyburly, Sunset Boulevard, Shrek The Musical, and five new plays by Neil Simon. Production stage manager assignments have seen him working in dinner theatre, stock, regional theatres, Broadway, off-Broadway, and national tours. Lawrence has and continues to work with many of the great directors of our time including Mike Nichols, Gene Saks, James Lapine, Sam Mendes, Trevor Nunn, Joe Layton, John Doyle, Marcia Milgrom Dodge, Michael Kidd, Jonathan Kent, and many more. Scenic designers Tony Walton, Santo Loquasto, John Napier, Tim Hatley, David Korins, Rob Howell, and Derek McLane, and lighting designers Tharon Musser, Ken Billington, Jennifer Tipton, Jules Fisher, Peggy Eisenhauer, Don Holder, Hugh Vanstone, and Andrew Bridge have all been part of the design teams of Lawrence s shows. He has also worked with costume designers Theoni V. Aldredge, Susan Hilferty, Tim Hatley, Anthony Powell, William Ivey Long, and Ann Roth, and with sound designers Otts Munderloh, Peter Hylenski, Acme Sound Partners, Abe Jacob, Scott Lehrer, Dan Moses Schreier, and Ken Travis. Lawrence has managed shows for producers Cameron Mackintosh, Emanuel Azenberg, Fran and Barry Weissler, Kevin McCollum, Ariel Tepper Madover, Bill Haber, Bob Boyett, Robert Whitehead, Robert Fox, and many others. He is the fir
Filled with industry-savvy advice, Production Stage Management clearly details everything the seasoned professional, the young professional looking to amp up his or her skills, or the wet-behind-the-ears trainee needs to know, including
Who's who on a stage production and how they all interact
Getting the job
The pre-production period, including pre-rehearsal duties and responsibilities
Production meetings from early conceptualizing through rehearsals and previews
Choosing and organizing a stage management team
Handling rehearsals
Running technical rehearsals
Organizing your calling scripts
Managing previews
Planning for opening night and the critics
Structuring the running of an ongoing show
Indispensable Charts and Graph templates and examples include:
Production calendar
Musical pit layout
PSM's casting notes format
Daily rehearsal report
Wardrobe breakdown
Prop list
Tech table layout
Ideal layout of the PSM's calling desk
Cues to begin dry tech
Dry tech goals
Tech rehearsal goals
Musical calling script
Dance calling script
Daily performance report
Weekly stage manager's report
Weekly schedule
Cast history forms
Commercial shoot schedule
Filled with industry-savvy advice, Production Stage Management clearly details everything the seasoned professional, the young professional looking to amp up his or her skills, or the wet-behind-the-ears trainee needs to know, including Who's who on a stage production and how they all interact Getting the job The pre-production period, including pre-rehearsal duties and responsibilities Production meetings from early conceptualizing through rehearsals and previews Choosing and organizing a stage management team Handling rehearsals Running technical rehearsals Organizing your calling scripts Managing previews Planning for opening night and the critics Structuring the running of an ongoing show Indispensable Charts and Graph templates and examples include: Production calendar Musical pit layout PSM's casting notes format Daily rehearsal report Wardrobe breakdown Prop list Tech table layout Ideal layout of the PSM's calling desk Cues to begin dry tech Dry tech goals Tech rehearsal goals Musical calling script Dance calling script Daily performance report Weekly stage manager's report Weekly schedule Cast history forms Commercial shoot schedule
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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