This book by Professor Spatharakis is a study of the origin and development of a new iconographic type within the late Byzantine period, that of the left-handed Evangelist. Although mainly confined to manuscript illumination, it also takes account of the surviving depictions of the Evangelists in mosaic and fresco on the walls of the churches built during this period. The author examines the appearance of this new type of Evangelist portrait at the beginning of the fourteenth century, and how it came to be sufficiently influential to replace the tenth-century models used by the artists of this period. He investigates how long this new fashion lasted, and the subsequent influence of the left-handed Evangelist in later Byzantine art. This leads on to the question of whether the artists were content to follow older models, or were actively participating in the creation of fresh groupings. The isolation of the archetype, the contemporary parallels, and the subsequent influence of the group of Evangelist portraits examined in this study is based not only on iconographic similarities but on a detailed examination of the individual types. This work makes a significant contribution to our knowledge of Palaeologan iconography, and the working methods of the artists who were responsible for its creation.
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Hardcover. Etat : new. Hardcover. This book by Professor Spatharakis is a study of the origin and development of a new iconographic type within the late Byzantine period, that of the left-handed Evangelist. Although mainly confined to manuscript illumination, it also takes account of the surviving depictions of the Evangelists in mosaic and fresco on the walls of the churches built during this period. The author examines the appearance of this new type of Evangelist portrait at the beginning of the fourteenth century, and how it came to be sufficiently influential to replace the tenth-century models used by the artists of this period. He investigates how long this new fashion lasted, and the subsequent influence of the left-handed Evangelist in later Byzantine art. This leads on to the question of whether the artists were content to follow older models, or were actively participating in the creation of fresh groupings. The isolation of the archetype, the contemporary parallels, and the subsequent influence of the group of Evangelist portraits examined in this study is based not only on iconographic similarities but on a detailed examination of the individual types. This work makes a significant contribution to our knowledge of Palaeologan iconography, and the working methods of the artists who were responsible for its creation. This book explores the emergence and impact of the left-handed Evangelist icon in late Byzantine art, primarily in manuscripts but also in church mosaics and frescoes. It traces its rise in the 14th century, replacing older models, and discusses its enduring influence on Byzantine art. The study emphasizes iconographic analysis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780907132493
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Etat : New. A study of the origin and development if the left-handed Evangelist iconographic type which appeared during the late Byzantine period. Largely based on a study of illuminated manuscripts, Spatharakis also considers the influence of Evangelist portraits on mosaics and frescos. Num Pages: 184 pages, 132 illus. BIC Classification: ACK. Category: (G) General (US: Trade). Dimension: 176 x 249 x 18. Weight in Grams: 652. . 1988. Hardback. . . . . N° de réf. du vendeur V9780907132493
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