Typography is still dominated by letterforms from the first one hundred years of European printing. Where were the processes and attitudes that lie behind these forms? Fred Smeijers is a type desinger who learn to design and cut punches: the key instruments with which metal type is made. This book is a work of practical history, with much contemporary relevance.
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Counterpunch is both an explanation of the 16th-century method of cutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design.
Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generously illustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.
Counterpunch is written in an entertaining manner and Smeijer's wit frequently shines through .... The book's carefully considered design, a bibliography, and a useful index complete a work that is warmly recommended to anyone interested in type. Kaspar Brand, Page
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EUR 17,58 expédition depuis Etats-Unis vers France
Destinations, frais et délaisVendeur : Labyrinth Books, Princeton, NJ, Etats-Unis
Etat : Very Good. N° de réf. du vendeur 143374
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