Published by the Palmer Museum of Art
Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. Yet his work, although included in the landmark exhibition of 1965, "The Responsive Eye," has an intuitive rhythm and poetic elegance that fall well outside the calculated, often hard-edged structures favored by most Op artists. World War II interrupted Pearson's first career in theater design but led to a prolonged contact with Japanese culture and a passion for painting.
Back in New York City, Pearson studied at the Art Students League and, as early as 1959, began to develop drawings he had made during the war from secret Japanese survey maps. Gradually, he transformed a topography of mountains and valleys into nonobjective forms that reflect a personal vision and herald a new era of linear abstraction in his work. The Poetry of Line accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction. This work is crucial from the standpoint of draftsmanship because it achieves a status above that of a sketch or study and makes an artistic statement at once complete and intimate.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Patrick McGrady is Charles V. Hallman Curator at the Palmer Museum of Art and Affiliate Assistant Professor of Art History at Penn State University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. Yet his work, although included in the landmark exhibition of 1965, "The Responsive Eye", has an intuitive rhythm and poetic elegance that falls well outside the calculated, often hard-edged sturctures favoured by most Op artists. World War II interupted Pearson's first career in theatre design but led to a prolonged contact with Japanese culture and a passion for painting. Back in New York City, he studied at the Art Students League and, as early as 1959, began to develop drawings he had made during the war from secret Japanese survey maps. Gradually he transformed a topography of mountains and valleys into non-objective forms that reflected a personal vision and heralded a new era of linear abstraction in his work. This text accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction. Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. This text accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780911209549
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Etat : New. Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. This text accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction. Illustrator(s): Pearson, Henry. Num Pages: 68 pages, Illustrations (some col.), ports. BIC Classification: ACXJ; AFF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 273 x 216 x 7. Weight in Grams: 363. . 2002. Paperback. . . . . N° de réf. du vendeur V9780911209549
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Etat : New. Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. This text accompanied an exhibition of Pearson's drawings from 1959 to the mid-1970s, the years when the artist moved toward geometric abstraction. Illustrator(s): Pearson, Henry. Num Pages: 68 pages, Illustrations (some col.), ports. BIC Classification: ACXJ; AFF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 273 x 216 x 7. Weight in Grams: 363. . 2002. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780911209549
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Etat : New. Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. This text accompanied an exhibition of Pearson s drawings from 1959 to the mid-1970s, the years when the art. N° de réf. du vendeur 595138706
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Taschenbuch. Etat : Neu. Neuware - Henry Pearson is often linked to the Op Art movement of the 1960s because his best-known paintings feature a labyrinth of undulating parallel lines. Yet his work, although included in the landmark exhibition of 1965, 'The Responsive Eye, ' has an intuitive rhythm and poetic elegance that fall well outside the calculated, often hard-edged structures favored by most Op artists. N° de réf. du vendeur 9780911209549
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