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"Boal and his work are marvelous examples of the post-modern situation-its problems and its opportunities. Twice exiled, Boal is 'at home' now wherever he finds himself to be. He makes a skeptical, comic, inquisitive and finally optimistic theatre involving spectators and performers in the search for community and integrity. This is a good book to be used even more than to be read." - Richard Schechner "Augusto Boal's achievement is so remarkable, so original and so groundbreaking that I have no hesitation in describing the book as the most important theoretical work in the theatre in modern times - a statement I make with having suffered any memory lapse with respect to Stanislavsky, Artaud or Grotowski." - Goerge E. Wellwarth Originally basing himself at the Arena Stage in Sao Paolo, Brazil, Augusto Boal developed a series of imaginative theatre exercises which promote awareness of one's social situation and its limitations, individual attitudes, and even how our bodies are bound by tradition. Boal is continued his explorations in Paris, where he directed Le CEDITADE (Centre d'Etude et de Diffusion des Techniques Actives d'Expression - Methode Boal), in addition to traveling and lecturing extensively in other countries. On May 2, 2009, Boal died at age 78 in Rio de Janeiro.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Part of Pluto's 21st birthday series Get Political, which brings essential political writing in a range of fields to a new audience. 'One of the most revered figures in world theatre . . . the liberation theologian of theatre.' Guardian 'Should be read by everyone in the world of theatre who has any pretensions at all to political commitment.' John Arden 'So remarkable, so original and so ground-breaking that I have no hesitation in describing the book as the most important theoretical work on the theatre in modern times.' George Wellwarth "Theatre is a weapon. . . . A weapon for liberation." This new edition of Theatre of the Oppressed brings a classic work on radical drama fully up to date and includes a new foreword by the author Augusto Boal. Boal restores theatre to its proper place as a popular form of communication and expression. He demonstrates the ways in which theatre has come to reflect ruling-class control, drawing on the theories of Aristotle and Machiavelli. He then shows the process reversed in Brechtian/Marxist poetics to the revolutionary potential of transforming the spectator into the actor. Throughout, Boal draws on his own experience in Latin America and illustrates his theory with practical examples.
One of the most revered figures in world theatre ... the liberation theologian of theatre. --Guardian
Should be read by everyone in the world of theatre who has any pretensions at all to political commitment --John Arden
So remarkable, so original and so ground-breaking that I have no hesitation in describing the book as the most important theoretical work on the theatre in modern times. --George Wellwarth
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