Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the established norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as 'The Eight', and their two-week show at New York's Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these 'revolutionary' artists. Their paintings of urban scenes marked a significant departure from the prevailing style - which emphasized physical and natural beauty - and met with critical success. The established chronicle maintains that the Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States in 1913. "The Eight and American Modernisms" revises this account and reevaluates these respected artists' careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style.
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Elizabeth Kennedy is curator of the collection at the Terra Foundation for American Art in Chicago. She co-organized American Artists and the Louvre, the first exhibition of historic art of the United States to be shown at the Musee du Louvre in Paris, and Art in America: Three Hundred Years of Innovation, an unprecedented survey of American art that traveled to China, Moscow, and Bilbao, Spain.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Very Good. Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the established norms and stage their own exhibition of modernist art. This book reevaluates these respected artists' careers, including their late works. N° de réf. du vendeur 00097782134
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Hardback. Etat : Very Good. Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the established norms and stage their own exhibition of modernist art. This book reevaluates these respected artists' careers, including their late works. N° de réf. du vendeur CIN0932171567VG
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_484298493
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Pictorial Hardcover. Etat : Fine. A FINE, like-new, bright, clean, tight, collector-worthy copy sans flaws. Book published in conjunction with the 2009 exhibition of the same name, co-organized by the Terra Foundation for American Art and the New Britain Museum of American Art. Exhibited at the New Britain Museum of American Art, New Britain, CT and the Milwaukee Art Museum, Milwaukee, WI. PROFUSELY ILLUSTRATED in the paintings and drawings of' The Eight' artists: Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice B. Prendergast, Everett Shinn, and John Sloan with accompanying descriptive captions. 176 pages. FRA2. N° de réf. du vendeur 019647
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Oversized Hardcover. Etat : Very Good. No Jacket. Frustrated by the art world's elitism and the snobbish exclusivity of the academy's juries, eight American painters united in 1908 to upend the establish norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as 'The Eight,' and their two-week show at New York's Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these 'revolutionary' artists. Their paintings of urban scenes marked a significant departure from the prevailing style--which emphasized physical and natural beauty--and met with critical success. The established chronicle maintains that the Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. 'The Eight and American Modernisms 'revises this account and reevaluates these respected artists' careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style. In addition to Henri, 'The Eight' included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast. N° de réf. du vendeur 392005
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