Book by Print Fine
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. Well-illustrated (illustrateur). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0938491172I4N00
Quantité disponible : 1 disponible(s)
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Well-illustrated (illustrateur). Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized. N° de réf. du vendeur mon0000154135
Quantité disponible : 1 disponible(s)
Vendeur : Chaparral Books, Portland, OR, Etats-Unis
Paperback. Etat : Very Good. Well-illustrated (illustrateur). Oversized softbound book, page clean, fresh and sharp cornered. Wraps glossy. N° de réf. du vendeur NOWbigFP
Quantité disponible : 1 disponible(s)
Vendeur : Abacus Bookshop, Pittsford, NY, Etats-Unis
softcover. Etat : Fine copy. Well-illustrated (illustrateur). 1st. 4to, 147 pp. N° de réf. du vendeur 068910
Quantité disponible : 1 disponible(s)
Vendeur : About Books, Henderson, NV, Etats-Unis
Paperback. Etat : New. Well-illustrated (illustrateur). First Edition. San Francisco, California: Fine Print / Bedford Arts, 1989. BRAND NEW in PERFECT condition. Flat, uncreased spine. Sharp corners. NO rubbing. NO fading. Square and tight. NO owner's name or bookplate. Crisp, clean and unmarked - obviously never read. 1989. First Edition. A well illustrated collection of articles on type, type founding, printing, type design and typography by some of the foremost designers, scholars and printing historians. Topics include 16th century Garamond, Goudy Oldstyle, Victor Hammer, Hermann Zapf, the Century Family, Eric Gill, Robert Bridges, Wood Type, Frederic Warde, computers in type design, etc. Oversize Softcover. 9" wide by 12" tall. This large heavy book will require extra postage for Priority and International shipments, but only the standard charge for media mail. First Edition. Oversize Softcover. New. 150pp. Great Packaging, Fast Shipping. N° de réf. du vendeur 024554
Quantité disponible : 1 disponible(s)
Vendeur : not too far from saskatoon, Luseland, SK, Canada
Soft cover. Etat : Very Good. Well-illustrated (illustrateur). 1st Edition. N° de réf. du vendeur 002683
Quantité disponible : 1 disponible(s)
Vendeur : Barnaby, Oxford, Royaume-Uni
Softcover. Etat : Good. Well-illustrated (illustrateur). One or two light exterior scuffs and nicks. Contents clean and unmarked, with uncreased pages. In good order overall. Publisher's note: Abstract: "This collection of essays on type design and typography, written by some of the foremost designers and scholars in the field, will appeal to those who use, study, and love type - from advertising designers to desktop publishers, from research bibliographers to just plain discerning readers, all of whom have observed and been fascinated by the way TYPE, apparently a neutral conveyor, can radically affect the meaning and impact of the message. From its first issue in 1975, Fine Print has been the only magazine in the world devoted to all the arts of bookmaking: typography, printing, bookbinding, papermaking, illustration, calligraphy, and graphic design. "The book is a complex object," says publisher Sandra Kirshenbaum, "and each element that goes into it is ages old. Each aspect could fill a magazine of its own, but we attempt to cover the whole book - the book as an intellectual medium and as a physical object." As part of this objective, the magazine has regularly published a series of articles under the title "On Type," exploring the history and development of type design to its scribal roots and looking ahead to the best in digital type for the new electronic media. It makes for a stimulating and instructive mix of the aesthetic and the technical, the traditional and the avant garde. Types covered include the up-to-date and quotidian like ITC Zapf Chancery, Galliard, and Century, as well as little-known but interesting historical faces like Fleischmann Antiqua, Hiero-Rhode Italic, and Hammer Uncial. Here sixteenth- and seventeenth-century type designers like Claude Garamond and Miklós Kis share the stage with the "bit wizards" of our own time like Kris Holmes and Sumner Stone. Who really was responsible for the design of Arrighi? Why do knowledgeable typographers always specify Kis/Janson and never "Janson" types? Which should come first, choice of paper or choice of type? How is designing a typeface like creating a dance for Isadora Duncan? If these questions intrigue you, then Fine Print On Type is for you." -- Size: 31.1 x 23.5 x 1.3 cm. 147 pp. Shipped Weight: Under 1 kilo. Category: Art & Design; Type and type-founding; Graphic design (Typography); ISBN: 0938491172. ISBN/EAN: 9780938491170. Add. Inventory No: 260607EAK013018. N° de réf. du vendeur 260607EAK013018
Quantité disponible : 1 disponible(s)