In 2019, the Renaissance Society at the University of Chicago and the Carpenter Center for the Visual Arts, Harvard University co-organized an exhibition of a newly commissioned body of work by the Canadian artist Liz Magor. The accompanying publication, Liz Magor: BLOWOUT, is the artist's first US catalog in ten years, and it features thorough photographic documentation of the new work, commissioned texts by Mitch Speed and Sheila Heti, and a conversation between the artist and curators Dan Byers and Solveig Øvstebø.
For more than four decades, Magor's practice has quietly dramatized the relationships that develop among objects, and she describes this body of work as "a collection of tiny and intense narratives." Each written contribution responds in its own way to Magor's new installations, which feature altered stuffed toys, bits of paper, and rat skins--sculptural "agents," in the artist's words--suspended in transparent Mylar box forms, and thirty-two pairs of secondhand shoes, each displayed within its own box amidst elaborate embellishments.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Liz Magor is an artist who was born in Winnipeg, and lives and works in Vancouver, Canada.
Dan Byers is the John R. and Barbara Robinson Family Director at the Carpenter Center for the Visual Arts at Harvard University.
Solveig Øvstebø was executive director and chief curator of the Renaissance Society at the University of Chicago from 2013-2020.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. In 2019, the Renaissance Society at the University of Chicago and the Carpenter Center for the Visual Arts, Harvard University co-organized an exhibition of a newly commissioned body of work by the Canadian artist Liz Magor. The accompanying publication, Liz Magor: BLOWOUT, is the artist's first US catalog in ten years, and it features thorough photographic documentation of the new work, commissioned texts by Mitch Speed and Sheila Heti, and a conversation between the artist and curators Dan Byers and Solveig Øvstebø. For more than four decades, Magor's practice has quietly dramatized the relationships that develop among objects, and she describes this body of work as "a collection of tiny and intense narratives." Each written contribution responds in its own way to Magor's new installations, which feature altered stuffed toys, bits of paper, and rat skins-sculptural "agents," in the artist's words-suspended in transparent Mylar box forms, and thirty-two pairs of secondhand shoes, each displayed within its own box amidst elaborate embellishments. N° de réf. du vendeur LU-9780941548786
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Etat de la jaquette : dj. First Edition. First edition and first printing. Hardcover. 134 pages. Exhibition catalog for a show that ran January 31 through March 24, 2019 at Carpenter Center for the Visual Arts and then April 27 through June 23, 2019 at The Renaissance Society at the University of Chicago. Features an introduction by Dan Byers and Solveig Ovstebo, additional contributions by Sheila Heti, Mitch Speed and a convesation between Byers, Ovstebo and Mago. Includes numerous illustrations, a checklist, and biographical information. A clean very near fine copy in illustrated boards and in a very near fine printed acetate dust jacket. N° de réf. du vendeur 216680
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