Book by Jonathan Stuhlman
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
One of America's most innovative and popular artists, Georgia O'Keeffe is rightfully celebrated as a pioneer who worked in her own style and on her own terms. Perhaps O'Keeffe's most significant contribution to art history was her unique approach to abstraction.
From her groundbreaking charcoal drawings of 1915 to her final paintings from the 1970s over the course of a career spanning more than seven decades Georgia O'Keeffe consistently incorporated swirling circular forms into her compositions. Her innovative use of this motif as a means of abstraction stands in contrast to the strategies adopted by many of her peers, which tended to be Cubist-based, using straight lines and angles rather than curves and circles. Using the circle and its kin - the ellipse, the oval, the spiral, and the arcing line - O'Keeffe explored the shifting terrain between abstraction and representation, sometimes calling upon them forms to represent a mood, a reaction to a sensation, or the spiritual essence of a subject, while at other times using them to encourage her viewers to see new relationships between familiar objects. As she developed her unique pictorial vision, O'Keeffe looked to a wide variety of sources, ranging from the theories of Arthur Wesley Dow and Wassily Kandinsky to the work of her American peers, Asian art, and contemporary photography, constantly seeking inspiration and new ideas, but consistently integrating what she learned into a visual language that was, finally, a highly personal and thoroughly unique contribution to American Modernism. Despite O'Keeffe's broad popularity and the numerous exhibitions devoted to her work both during her lifetime and posthumously, Georgia O'Keeffe: Circling Around Abstraction is the first exhibition devoted to this aspect of her work, and promises to make an important addition to scholarship on both O'Keeffe and twentieth-century American art.
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Destinations, frais et délaisVendeur : Blindpig Books, Salt lake city, UT, Etats-Unis
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Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0943411491I4N10
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0943411491I4N00
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_444378349
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Vendeur : HPB Inc., Dallas, TX, Etats-Unis
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Vendeur : Orca Knowledge Systems, Inc., Novato, CA, Etats-Unis
hardcover. Etat : Very Good. Etat de la jaquette : Fine. First Edition. New. Still in publisher's shrink wrap. No markings in book. Binding is fine. DJ is fine. 134pp. N° de réf. du vendeur mon0000031685
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Vendeur : David Hallinan, Bookseller, Columbus, MS, Etats-Unis
First edition (as stated upon copyright page). 134 pages. Hardcover: H 27.5 x L 23.75cm. Dust jacket lightly rubbed; some bumping at edges and at centers of flap folds. Dark gray cloth; bumping to boards' top fore-edge corners and at center fore-edges. Interior leaves are bright and clean. Binding retains some crispness. Published as the accompanying catalog for an 2007-2008 touring exhibition held at the Norton Museum of Art in West Palm Beach, Florida, the Georgia O'Keeffe Museum in Santa Fe, and the Minneapolis Institute of Arts. ISBN 9780943411491. N° de réf. du vendeur PXZP-20430
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Hardcover missing dustjacket, 134 pages, otherwise very good condition except museum library stamp to inside front cover; no other internal marks. Foreign shipping may be extra for this book. N° de réf. du vendeur GeO'No25
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