Essays and memoirs by and about one of Britain's leading symphonists. A lively collection by contributions from Roger Scruton, Judith Weir, John McCabe, Arnold Whittall, Hugh Wood and many others. 2013 saw the seventieth birthday of David Matthews, the British composer who has established an international reputation as a leading symphonist of our time. This collection, the first on his work, marks the occasion with lively contributions from a host of distinguished musicians and writers. Matthews has supplemented his freelance career by writing extensively and personally on music, and the first part of the book includes all his important essaysand reviews to date. These survey the present scene, discuss symphonists (notably Mahler and Sibelius) and focus on individual composers (notably Britten and Tippett). By including extracts from his journal and letters, Thomas Hyde's substantial editorial notes sketch out an accompanying biography. This is supplemented in the second part by extended memoirs from Roger Scruton and Peter Sculthorpe, and a collection of tributes in words and music by James Francis Brown, the Smirnov family, Maggie Hemingway, Robin Holloway, Robin Leanse, Colin Matthews, John McCabe, Sir Paul McCartney, Pavel Zemek Novák and Judith Weir. The third part offers a critical forum on Matthews's music.Here, an overview by Malcolm Macdonald leads to essays on symphonies, concertos, quartets and other works by Arnold Whittall, Edward Venn, Geraint Lewis, Hugh Wood and the editor. Frank Ward adds a witty, bibulous epilogue. David Matthews studied composition privately with Anthony Milner, assisted Benjamin Britten and collaborated with Deryck Cooke on the performing version of Mahler's Tenth Symphony. His large musical output includes contributions to most of the instrumental and vocal genres; he has also published monographs on Tippett (1980) and Britten (2003). For 13 years he was artistic director of the Deal Festival. Thomas Hyde has lectured at the CityUniversity (London) and Worcester College, Oxford. His compositions include a one-man opera That Man Stephen Ward (2007), a string quartet (2010) and a violin sonata (2012).
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
2013 saw the seventieth birthday of David Matthews, the British composer who has established an international reputation as a leading symphonist of our time. This collection, the first on his work, marks the occasion with lively contributions from a host of distinguished musicians and writers. Matthews has supplemented his freelance career by writing extensively and personally on music, and the first part of the book includes all his important essays and reviews to date. These survey the present scene, discuss symphonists (notably Mahler and Sibelius) and focus on individual composers (notably Britten and Tippett). By including extracts from his journal and letters, Thomas Hyde's substantial editorial notes sketch out an accompanying biography. This is supplemented in the second part by extended memoirs from Roger Scruton and Peter Sculthorpe, and a collection of tributes in words and music by James Francis Brown, the Smirnov family, Maggie Hemingway, Robin Holloway, Robin Leanse, Colin Matthews, John McCabe, Sir Paul McCartney, Pavel Zemek Novák and Judith Weir. The third part offers a critical forum on Matthews's music. Here, an overview by Malcolm Macdonald leads to essays on symphonies, concertos, quartets and other works by Arnold Whittall, Edward Venn, Geraint Lewis, Hugh Wood and the editor. Frank Ward adds a witty, bibulous epilogue. David Matthews studied composition privately with Anthony Milner, assisted Benjamin Britten and collaborated with Deryck Cooke on the performing version of Mahler's Tenth Symphony. His large musical output includes contributions to most of the instrumental and vocal genres; he has also published monographs on Tippett (1980) and Britten (2003). For 13 years he was artistic director of the Deal Festival.
Thomas Hyde has lectured at the City University (London) and Worcester College, Oxford. His compositions include a one-man opera That Man Stephen Ward (2007), a string quartet (2010) and a violin sonata (2012).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : The Compleat Scholar, Rochester, NY, Etats-Unis
Hardcover. Etat : Very Good. Never read, no marks or highlights in the text. Our copy is a hardback with a dust jacket, showing small tears in the jacket and a ding in the front cover along the fore-edge. N° de réf. du vendeur 20-0316-024-114
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Vendeur : monobooks, Waterford, MI, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition stated 2014, first printing. Hardcover in full cloth with DJ. Gift quality book. Condition new, square tight and crisp book, no edgewear, sharp corners, no markings of any kind, no names no underlinings no highlights no bent page corners, not a reminder. DJ new, bright and shiny. no tears no chips no edgewear, not clipped. 8vo, XII + 244 pages, bibliography, index. N° de réf. du vendeur 002889
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