Between 1912 and 1914, Fernand Léger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art.
Curated by Léger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. Fernand Léger: Contrasts of Forms was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.
The full-color catalogue features two essays. Affron examines the logic of the Contrasts of Forms and the importance of this cycle in shaping the character of Léger's art. Maria Gough (Stanford University) focuses on the drawings and on Léger's notion of abstraction.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Matthew Affron is Director of Special Curatorial Projects at the University of Virginia Art Museum and Associate Professor of Art at the University of Virginia.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). "The Contrasts of Forms" are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Leger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. "Fernand Leger: Contrasts of Forms" was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.The full-color catalogue features two essays. Affron examines the logic of the "Contrasts of Forms" and the importance of this cycle in shaping the character of Leger's art. Maria Gough (Stanford University) focuses on the drawings and on Leger's notion of abstraction. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. This work examines the logic of the "Contrasts of Forms". Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780970626332
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Soft cover. Etat : Near Fine. 48pp. light edge wear, clean with tight binding, no marks or tears. 13 full color pages of prints. essay by Maria Gough. N° de réf. du vendeur 020857
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Softcover. Black illus. wraps; 48 pp.; 13 color plates, 4 color figures. Accompanied a 2007 exhibition of the same name, which appeared at the Unviersity of Virginia Art Museum and the Fogg Art Museum; includes an essay by Maria Gough. VG- (rubbed edge-wear to wraps; scuffs, scratches. rubbing to spine edges. rubbing to corners w/ light bumping. remains tightly bound). N° de réf. du vendeur 117318
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Etat : New. Num Pages: 48 pages, 17 colour illustrations. BIC Classification: ACXD; AFC; AGB. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 232 x 291 x 19. Weight in Grams: 272. . 2007. Illustrated. paperback. . . . . N° de réf. du vendeur V9780970626332
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Etat : New. Num Pages: 48 pages, 17 colour illustrations. BIC Classification: ACXD; AFC; AGB. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 232 x 291 x 19. Weight in Grams: 272. . 2007. Illustrated. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780970626332
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Etat : New. Über den AutorMatthew Affron is Director of Special Curatorial Projects at the University of Virginia Art Museum and Associate Professor of Art at the University of Virginia.KlappentextrnrnBetween 1912 and 1914, . N° de réf. du vendeur 899014551
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Taschenbuch. Etat : Neu. Neuware - Between 1912 and 1914, Fernand Lger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art.Curated by Lger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. N° de réf. du vendeur 9780970626332
Quantité disponible : 1 disponible(s)